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I needed a two story brick station for the junction town of Tyrone on my railroad.  While not based on the prototype's architecture, I chose MTH's 2 story brick structure as a starting point.  I liked the size of the MTH building but didn't care for the very heavy window treatment.  With considerable cutting and fitting I replace the snap in MTH windows  and doors with the nearest sized Grandt Line products.  Thirty four windows and 5 doors later the project is almost done.  Down the line on the To Do List is to scratch build a closed passenger waiting shelter for the island platform more representative of the one on the Tyrone curve circa 1952.IMG_2472  IMG_2483IMG_2478

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Last edited by Keystoned Ed
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To complete the scene I'll weather the plaster platform, and add passengers and baggage.  Thanks to input from member 645 the whitewalls on the taxis will go.

For those interested in some of the constriction details:

I used Grandt Line number 3706 for the large windows, 3752 for the 4 small attic ones.  For the double doors I cut and mated pairs of Grandt Line 3619 station doors.  They are solid 4 panel doors.  To add windows in the doors  I cut out the upper panels with an Exacto knife.  The windows and doors were glazed with Evergreen's .010" clear plastic cut to fit.  Glazing was tedious  as the double hung Grandt Line windows require separate upper and lower glazing.  The MTH station's bay area didn't look right to me without windows on the angled walls - so I cut the angled sides of the bay to accept a pair of 3706 windows.  For the baggage door I used a Grandt Line  3618 freight door.  With a simulated poured concrete curved station (poured plaster) location platform site  I couldn't use MTH's plastic "wood" platform.  I also decided to lower the building relative to the station platform so that there would only be a single step up. (the MTH design had 2 tall steps at each door).  I cut off the steps that were molded integral with the walls,  and then carefully cut down the walls by scribing along a mortar line.   Later I added floors, interior walls, and lit several of the first floor rooms with surface mount LED's.  The building's brick walls were sprayed with Rustolium Oxide Red Primer and then I applied Robert's Brick Mortar Formula. The brick and mortar was toned down by brushing on a light coat of Vallejo's 76.514 dark brown wash.   Needless to say there was a lot of filing and fitting throughout the project.

 

Thanks for posting the photo of the prototype Tyrone station P51.  I didn't have the space for a true model of the original but I've found when modelling a large railroad like the PRR I've had to do a lot of "selective compression".  I try to capture the flavor of the prototype and interesting elements of its operation like helpers on Horseshoe Curve, the Supplee milk car exchange with the H&BT at Huntingdon, and the coal traffic coming off the Tyrone and Clearfield branch at Tyrone.

Last edited by Keystoned Ed

Mr Rappe,

Your well executed kit-bash is now the inspiration for the station at Mount Union on David Stewart's  Appalachian and Ohio!  I've been searching for a suitable prototype example and have hand drawn multiple sketches in my pursuit to fill the depot space at Mount Union.  I need a two story, narrow structure with platform shelters, and assumed I would have to scratch build!  This MTH model looks to be the perfect base to start from!  What a find, and great job Sir!

Rick Bacon

Another A&O misfit...

Windsor, CO

Last edited by Rick Bacon

Rick - when considering a similar kit bash please note that I made an architectural compromise by not using brick style windows. Grandt Line does offer brick mold style Windows but none of were size or style suitable for the MTH station.   I'm generally pleased with the look I achieved - but like running the railroad on 5' gauge track,  I'm aware of the compromises I've made in the interest of creating an overal scene in a reasonable period of time vice a contest grade model.   

Thank for the positive feedback guys

 

 

Ed,

I'm not chasing a contest model to be sure!  But your effort indeed "looks" the part in your overall scene and that is the origin of the inspiration.  Malcom Furlow and a bunch of other good artist-modelers to include Shep Paine, George Sellios, and Lane Stewart, talked a lot about the difference between being correct and looking correct.  In a visual art like a model railroad layout, the look of the scene is THE most important factor.  This is the combination of lighting, color, composition, proportion, contrast, and last of all... scale.  A good artist knows how to feed a viewer information visually to get them to interpret the scene in a specific way (the way the artist "wants" them to see it), and rarely does true exact scale make the scene.  Malcom was very successful in convincing viewers that something was taller or larger than reality by using under sized proportioned elements to trick the eye into believing the end goal.   An example would be were he would build a trestle using slightly undersized bents and to make the bridge appear to be higher and ultimately more dramatic.  Of course, if taken too far this can lead to a cartoonish picture!  Other common examples are wood grain, almost always oversized in the scale world, and weathering, usually too heavy.  Model railroaders are also commonly pre-disposed to perceive some things, such as, all switch stand targets are red, or that puff balls look like trees!  When an alternate example is presented on the layout, the artist finds themselves faced with the task of proving the stereotype to be "not absolutely true".  Good, well thought out composition is the way to beat back the stereotype view point.  If the viewer is overwhelmed with the entire scene due to it's intentional, deliberate, and logical continuity, the details are lost to the viewer.  You have succeeded at this in your scene, even in it's early stages of completion.  Your scene tells its story with out words...as good art should!  I guess what I'm saying is; "I'm going to follow your example with this model, because regardless of it's scale inaccuracies, it works!"

Again, well done! 

 

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