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I wanted to create the look of high speed GG1 pulled passenger trains streaking above the rear of typical New Jersey tenements:

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 For those who don’t know, these were typically built as one building, but they looked like they were separate buildings from the front.  I decided a three wide unit would look reasonably realistic, artistically pleasing, and above all, fit in the available space.  I made mine from three Woodland Scenics JW Cobbler buildings.  For the two outer ones I used “Built and Ready structures.”  The inner one was made from a kit.  This photo shows how I arranged them:

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 I had to widen the roof in the center section, as well as do a little trimming to get everything to line up.   I used Black Out tape cut into ¾” wide strips, to make the roof.   

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The biggest challenge was to match the brick/mortar color of center wall to that of the two ends.

I also re-arranged some of the details (electrical conduits, drainpipes, trash bins, awnings) so all three backs would not be identical.

 If I had stopped there, this would have been a two day project.  But I got carried away.

 I added some roof top entrances. They were scratch built from Plastruct brick and Grandt Line D&RG RPO doors.  I made a pattern using Microsoft Power Point, printed it on cardboard, and then folded a mock up to make sure it fit:

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 I then taped the Power Point drawing on some .040” styrene sheet, scored it with a #11 blade, then glued the plastic brick with 3M 77 adhesive.  I used Tenax 7R to prevent delamination at the edges.  All three took about three hours:

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And of course I had to add that pigeon coop.  Here was my prototype:

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I made mine from scale lumber, bridal veil, styrene sheet, and some black construction paper.  It took about a day. The pigeons are from Artista.  The figure is a kitbashed soldier from a Tamiya German Infantry men kit, and is an homage to the late Kenneth Mars (aka Franz Liebkind) from “The Producers”:

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Bird droppings were made by simply loading up a tooth brush with white acrylic paint, and then flicking the paint off by rubbing my thumb over the ends of the bristles.

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The building is fully lit with a number of shadow boxes (we will get to that in a moment)  as well as some outside lights.  I used all LED's this time. I like their effect, but they are a bit more cumbersome than incandescents as sometimes it takes multiple circuits to tailor the current for individual LEDs:

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 Of course as long as the train is going by the back of the tenement, the passengers just can’t help but look into everyone’s Rear Window.   So without further delay, here are the characters they see:

Sir Alfred winding the clock,  while the composer (Ross Bagdasarian, aka David Seville of Chipmunk fame) plays the piano:

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The Newlyweds:

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Miss Lonely Hearts

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The Dog Lady and her husband:

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Miss Torso:

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And, last but not least, the ill fated Anna Thorwald, and her husband Lars:

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 All in all a fun project.  Although one could argue it strays pretty far from model railroading.  So my next project will be two rail an ABBA set of Lionel Sharks. In the meantime, enjoy the scenery!

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Last edited by John Sethian
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That is an extremely fun conversation piece for your layout.  I'm envious and impressed.

Rear Window one of my favorite movies.  I have a fun family memory of watching it with my daughters ... who "got" the fact that it's possible to make an incredibly creepy and scary movie without all that screaming and buckets of gore and blood.  My 3rd daughter was completely wigged out of the image of Raymond Burr sitting in the darkened apartment smoking a cigarette while everyone else in the apartment mourned the loss of the little dog.  I think she was about 12 when she saw it and, afterward, I said, "I hope you understand that Hitchcock is a master.  Were you scared?"  Her reply was: "We shall never speak of this again."  (I.e., she was a comedienne then and now...)

On that note, you might consider adding one of these in an otherwise unlit room.

Very good job.  Very fun.

Steven J. Serenska

 

Last edited by Serenska

Thanks Pete

Thanks Steven.  That’s a great story about you watching it with your daughter.  I might consider adding a “glowing cigarette” in one of the dark windows

By the way, as you might imagine, I ended up watching the entire movie, frame by frame, several times in order to get all those images.  In doing so I came to realize just how effective Alfred Hitchcock was.  For example, the size and resolution of each of the characters depends on how Jimmy Stewart is looking at them.  When he is viewing unassisted, the characters are a bit out of focus, and small.  So I had trouble getting good photos of most of the supporting players. When he has Stewart looking through binoculars, which he does when viewing some specific story, the characters are in better focus.  That’s why the one of Miss Lonely Hearts is relatively clear.  The final sequence of shots of Raymond Burr in his apartment (as Grace Kelly is taken away) is a masterpiece.  First Hitchcock shows Stewart and Thelma Ritter viewing Raymond Burr unassisted.  The images are small. Then Thelma Ritter picks up the binoculars, and the image is larger and clearer.  Then he cuts to Jimmy Stewart using a telephoto lens.  When he cuts back to Burr (who is now glaring directly at Stewart) the image is clear, large, and in sharp focus.  This all adds to the suspense.

Through all this, Hitchcock plays fast and loose with the windows.  Some have no cross bars, none have glass, and in some cases their dimensions are way too big.  Depicting these characters, without compromising the realistic structure of the building, was a bit of a challenge.  A lot of photo shopping was required. 

As I said in my original post, I managed to turn a two day project into one that took several weeks

Last edited by John Sethian

Excellent John ! That was several weeks well spent I'd say. It's further evidence that well executed scenic workmanship is an essential phase of building an exceptional model railroad...as you have done so capably. Your "How I did it" series has become a must read for anyone looking to create a miniature slice of Pennsy railroading.

Bob

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