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@DoubleDAZ posted:

Ok, John, here's what I come up with using 25'. I added some preliminary trackage just to get an idea what will fit. The bench work is all 30" reach. Ignore the 16'7" and note that it doesn't watch the yellow area.

john 2020-08-29 daz

 

Hi Dave,

Looks great! I will fix the yellow area's as they are off and were onl a general guidline which makes it confusing to sa the least. On the bottom/north  wall there is a 4" bump out 18' from the east wall. The bump out is 19" long It looks like the yellow hide that feature. I'll make corrections and repost.

Again thanks for your help!

John

John, here's your file with my additions on a separate layer (DAZ).

I've also included a view without all the extra room stuff that's not applicable to the work space for the layout. Note the changes to the Red baseboard outline. I added 2 peninsulas, each 5'x5' with 30" aisles. I haven't played with tracks yet, but I'd probably add a lift-out bridge at the top to connect the peninsulas. This was just to show a different way of looking at the space, be able to use O72 curves throughout and have access when needed without using access hatches. Note that my Green area differs slightly from your Yellow area on the right side.

Final_Rm_Dim_2020_08_30 daz

Final_Rm_Dim_2020_08_30 daz2

 

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Hi Dave,

Thanks for cleaning it up and using proper alignment. Huge help!  I would like to have my double track Atlas Pratt Bridge used between the two peninsulas, I was planning to hinge one side and lift the other side vertical for passage to the central area.  Now to start implementing track, industry and towns. Looking for a coaling operation, as main industry along with towns, freight etc. As far as track goes, at least one continuous loop with reverse loops and then sidings, spurs for pick ups and deliveries. possible small yard for storing trains. So I am probably looking at a 40' x 60' area which is not available... But I am extremely happy with the space I do have and will enjoy it all!

Again Thanks for all the help!

John

Haven’t been anywhere since June 2019. Usually we’d have gone somewhere in September/October, Cocoa Beach FL in February, Gainesville in April and we had an extensive trip planned for this month up to the Vancouver area, over to the Calgary area and maybe all the way to Thunder Bay ON. COVID19 has really put a damper on our travels and it stinks. 😡

Here is an attempt at a workable layout, which i am not sure it really is workable. It looks like it eeds some elevation changes with over/under tracks. Hoping to fit in some industries (maybe left/below bridge) which is a lift bridge for passage to the center. Please ALL comments are more than welcome. I do like the idea of the turn table and maybe add a 3 stall engine house. Not totally happy with yard yet as it seems to take a lot of room and track maybe too close for actual operation.Final_Rm_Dim_2020_09_15_34_36TT_A

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Have been working on the room and have painted new wall a "sky blue" Now looking at overhead lighting. There are two air ducts running down that ceiling area that I found some Led fixtures would fit in the space between the parallel ducts. Now I need to make some mounting brackets and see how they look and the quality of light they give from that position.IMG_3272IMG_3271IMG_3270

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  • IMG_3271
  • IMG_3270

John, The plan looks like a good start.  I'll leave suggestions for the yard and turntable area for others, since I never had the space to do either.  Are you planning to use a double track bridge for the walkthrough opening on the right?  It would be easier than bridges on two levels like I have.  That means the grade from there to the first overpass would be pretty steep, though my 4% grades are manageable for the short trains I'll run.  I'm thinking Dave is away on his trip to Georgia about now, so I don't know when he will be able to look at it.  I never did get figured out how to setup grades on SCARM.  He did it for me.

The blue walls look great!  Yes some lighting around those ducts would help a lot.  Are you going to leave the ceilings open, that is no drop ceiling?  I see a lot of people who do that paint all the joists black so they aren't so noticable and it keeps the dust to a manageable level.  I left my floor bare concrete.  Are you going to do the same, or put in some floor covering?  I may do something in the future, like the interlocking rubber mats in the walking area, but there is only so much money to work with.  

Mark,

There are already grades of 3.4% and 3.6%, so I'm not sure what John is saying. The Blue tracks are at 7" elevation and the yellow tracks on the left are at 1" elevation for a 6" separation.

The TT is a 34" model with crazy curved 37" whiskers done with flex track on the left and 19"-29" on the top". With a 34" TT, there's no way to fit a Round House because it has a 60"-63" footprint from the center of TT to the back wall of the RH, assuming that large engines will have to fit. The last photo is a view of the original TT configuration I sent John earlier. He moved the double cross and went lower with the elevation change. Going lower is something I always seem to forget.

Final_Rm_Dim_2020_09_15_34_36TT_A 3D

Final_Rm_Dim_2020_09_15_34_36TT_A

test

 

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  • Final_Rm_Dim_2020_09_15_34_36TT_A
  • test
  • Final_Rm_Dim_2020_09_15_34_36TT_A 3D

Well Dave, those grade numbers sound very familiar to me.  Going lower is something I forget too.  For some reason I have found getting my vertical easements at the top and bottom of my grades muh harder to do than when I built HO and N layouts. 

I knew there needed to be a runaround track at the yard, and the tail track too.  Maybe John could fit in a rectangular two-stall enginehouse in like I have.

@Mark Boyce posted:

John, The plan looks like a good start.  I'll leave suggestions for the yard and turntable area for others, since I never had the space to do either.  Are you planning to use a double track bridge for the walkthrough opening on the right?  It would be easier than bridges on two levels like I have.  That means the grade from there to the first overpass would be pretty steep, though my 4% grades are manageable for the short trains I'll run.  I'm thinking Dave is away on his trip to Georgia about now, so I don't know when he will be able to look at it.  I never did get figured out how to setup grades on SCARM.  He did it for me.

The blue walls look great!  Yes some lighting around those ducts would help a lot.  Are you going to leave the ceilings open, that is no drop ceiling?  I see a lot of people who do that paint all the joists black so they aren't so noticable and it keeps the dust to a manageable level.  I left my floor bare concrete.  Are you going to do the same, or put in some floor covering?  I may do something in the future, like the interlocking rubber mats in the walking area, but there is only so much money to work with.  

Hi Mark, The bridge is a double track atlas Pratt truss bridge. I am hoping to have it hinged on one end and swing up. In that area is a steel overhead I-beam which lowers that part of the ceiling clearance. So positioning the bridge maybe determined by clearances. Which leads into the question off drop ceiling or black paint or other suggestions. I realize that this decision needs to be made sooner rather than later.

The blue paint was picked out by my artistic wife, so all credit goes to her. She also picked out the floor paint which I am starting to paint now. I was also thinking about the interlocking floor pads, which will wait until I see if their is any funds left at the end of the build. Lighting is costing more than I anticipated, as I am sure other things will go over budget too!

Thanks for the feedback

@DoubleDAZ posted:

Mark,

There are already grades of 3.4% and 3.6%, so I'm not sure what John is saying. The Blue tracks are at 7" elevation and the yellow tracks on the left are at 1" elevation for a 6" separation.

The TT is a 34" model with crazy curved 37" whiskers done with flex track on the left and 19"-29" on the top". With a 34" TT, there's no way to fit a Round House because it has a 60"-63" footprint from the center of TT to the back wall of the RH, assuming that large engines will have to fit. The last photo is a view of the original TT configuration I sent John earlier. He moved the double cross and went lower with the elevation change. Going lower is something I always seem to forget.

Final_Rm_Dim_2020_09_15_34_36TT_A 3D

Final_Rm_Dim_2020_09_15_34_36TT_A

test

 

Hi Dave,    I'm looking at having some height changes in track to add interest with trains running over and under each other. I made some poor attempts with setting a high elevation of seven inches and a lower one inch which may not be needed for clearences. Thought using a worst case would be better to see if there was a grade bigger than four degrees. I moved the double crossover to provide a lower grade. The turntable and track coming off of it was to see how much room there is for an engine house or a small round house. Also was trying to keep in mind space for  industries and towns. I loved your putting in the turntable and that area. I have a ross four way hard switch that I would like to use which is why I changed any of your original hard drawing. Almost forgot I have a vascular bridge and a MTH 30" grider bridge that I would like to work in somehow.

Thanks John

Last edited by Aegis21
@Aegis21 posted:

Hi Mark, The bridge is a double track atlas Pratt truss bridge. I am hoping to have it hinged on one end and swing up. In that area is a steel overhead I-beam which lowers that part of the ceiling clearance. So positioning the bridge maybe determined by clearances. Which leads into the question off drop ceiling or black paint or other suggestions. I realize that this decision needs to be made sooner rather than later.

The blue paint was picked out by my artistic wife, so all credit goes to her. She also picked out the floor paint which I am starting to paint now. I was also thinking about the interlocking floor pads, which will wait until I see if there's any funds left at the end of the build. Lighting is costing more than I anticipated, as I am sure other things will go over budget too!

Thanks for the feedback

I know about funds.  I still want to put up one more set of lights.  I can work that from my aisle, but need to do it before I put in any scenery.  Since this is the first "permanent" O gauge layout I have built, I am astounded at how track and switches costs add up compared to HO or N scales.  I wouldn't be able to afford to build even a medium sized layout if I had the space to do it.

@Aegis21 posted:

Here is an attempt at a workable layout, which i am not sure it really is workable. It looks like it eeds some elevation changes with over/under tracks. Hoping to fit in some industries (maybe left/below bridge) which is a lift bridge for passage to the center. Please ALL comments are more than welcome. I do like the idea of the turn table and maybe add a 3 stall engine house. Not totally happy with yard yet as it seems to take a lot of room and track maybe too close for actual operation.Final_Rm_Dim_2020_09_15_34_36TT_A

I went from an N scale layout to O scale and I had planned on having a six track yard.  Well...that did not work.  O scale yards take a lot of room but I would recommend to have a yard (even a small yard) because it gives you a spot to keep a train ready to go and it is still on your layout.

Aegis21:

Although I joined this thread later on, I wanted to commend your process for planning and gathering input for an L-shaped layout. I designed and built an L-shaped layout in an addition to the rear of our house, which was created as a home office by the previous owner - a draftsman. Now it's my train room!  Not as BIG as your space, so I'm envious!

I used ANYRAIL to design my layout.  Quick to learn, easy to use.

I provided aisle space around the perimeter of most of the layout; with 20/20 hindsight, I now consider it "wasted space."  I should have installed an around-the-wall layout as you intend to do.  To gain more trackage, I installed a second level. It contains 36 DEPT 56 North Pole Village porcelain buildings and three short point to point trolley lines. Two of the trolleys and a handcar have Christmas decor.

The E-W main platform is an oval with a figure 8 built-in, so I have four reversing loops in that design. The sidings and an industrial district are in the N-S leg of the layout, which also includes a DINOSAUR PARK for playtime fun for my young great grandson, Matthew (now age 7). Pix attached.

Your initial post to the OGR FORUM gathered many helpful follow-up notes.  Carry on, relentlessly ...

Mike Mottler        LCCA 12394
mottlermike10@gmail.com

 

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Images (3)
  • East Platform: A portion of the East-West leg of my L-shaped layout
  • N-S Platform Industrial District: A portion of the North-South leg of my L-shaped layout
  • Dino Park 2: Dinosaur Park
@Mark Boyce posted:

I know about funds.  I still want to put up one more set of lights.  I can work that from my aisle, but need to do it before I put in any scenery.  Since this is the first "permanent" O gauge layout I have built, I am astounded at how track and switches costs add up compared to HO or N scales.  I wouldn't be able to afford to build even a medium sized layout if I had the space to do it.

Yes Mark, this is not a poor man's hobby, although I've never had a hobby that was free! I have been collecting train stuff over the past years and that has helped spread the burden on the bottom line.

@dan 77 posted:

I went from an N scale layout to O scale and I had planned on having a six track yard.  Well...that did not work.  O scale yards take a lot of room but I would recommend to have a yard (even a small yard) because it gives you a spot to keep a train ready to go and it is still on your layout.

I am sure this is good advice and will make every effort to do something along those lines. Thanks for the words of wisdom. 

Aegis21:

Although I joined this thread later on, I wanted to commend your process for planning and gathering input for an L-shaped layout. I designed and built an L-shaped layout in an addition to the rear of our house, which was created as a home office by the previous owner - a draftsman. Now it's my train room!  Not as BIG as your space, so I'm envious!

I used ANYRAIL to design my layout.  Quick to learn, easy to use.

I provided aisle space around the perimeter of most of the layout; with 20/20 hindsight, I now consider it "wasted space."  I should have installed an around-the-wall layout as you intend to do.  To gain more trackage, I installed a second level. It contains 36 DEPT 56 North Pole Village porcelain buildings and three short point to point trolley lines. Two of the trolleys and a handcar have Christmas decor.

The E-W main platform is an oval with a figure 8 built-in, so I have four reversing loops in that design. The sidings and an industrial district are in the N-S leg of the layout, which also includes a DINOSAUR PARK for playtime fun for my young great grandson, Matthew (now age 7). Pix attached.

Your initial post to the OGR FORUM gathered many helpful follow-up notes.  Carry on, relentlessly ...

Mike Mottler        LCCA 12394
mottlermike10@gmail.com

 Mike I was looking at a perimeter aisle and would have still left that door open until your advise. Second level looks great and will consider doing that to increase acreage

Thanks and nice pics, get your great grandson smiles a lot!

 

Last edited by Aegis21

Mark, You have been so inventive to make the utmost of your space and railroad. Great having a yard and engine house on your layout! I am still trying to visualize industries and town(s) (space allowing). I super sized the turntable area and that will have me use an overhead creeper in that area,which may be a price I'm willing to pay. This option appears to provide a lot of user interest and railroad flexibility.

Off the turntable I am contemplating a 3 or 4 stall round house. I think it could squeeze in and would add a lot to that area. Still having trouble locating a spot for my bascule bridge, town and the long back straight run with one or two sidings and should there be some curves and elevation changes for interest. I'd like the bascule bridge to be over a river that empties into a body of saltwater. Just a nostalgia thing for me.

How is your layout coming? Can't wait to see what you are doing. Hope all is well.

JohnFinal_Rm_Dim_2020_09_27_34_36TT_AFinal_Rm_Dim_2020_09_27_34_36TT_B

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John, I agree if you really want the turntable and roundhouse, then the topside creeper is well worth the investment.  I would love to have a turntable and roundhouse, but in my space there wouldn't be room for much else.  

I think I needed to see the layout in actual three dimensions before I could see how to fit in the wye, two-stall engine house, and yard below.  If you go waaayyy back in my design and build topic, you can see how all were discussed in some measure during previous plans.  It all started in January 2017!  Wow, it has been that long to get this far.  I call this plan that I am building Plan D.  Plan A was scrapped on the drawing board.  I started construction on Plans B and C, then I tore them apart and repurposed everything in Plan D.  I am going to have a good bit of track and a few switches left over when the track is all done.  So the inventiveness was more like Thomas Edison finding 1000 ways that don't work before one does.  

I have been taking advantage of the warm but not hot weather trying to get some things done outside that I didn't get done in the summer or last summer before the knee replacement.  Therefore I haven't had much to report on construction.  In the evenings I did fiddle with trying to add another siding that didn't work a couple places, but I think I have found a place to fit it in.

I like the bottom plan with the two passing sidings, one on the yellow and one on the blue track.  For me, elevation changes are hard enough to just get a steady grade with verticale easements at the top and bottom so I could cross over the other track, that I don't want to think of building the slight ups and downs like in reality.  Making long straight stretches look better with some slight curves really looks great.  Then again, I have enough trouble bending flex track to suit a small connection, that I didn't attempt the slight curvatures.  Maybe you could do it on your much longer straight-aways with the largest diameter curved sections on the market.

Maybe the bascule bridge would work on the yellow track across the aisle from the yard.  It would be great if you can fit it and some kind of saltwater in considering where you grew up.

I'm hoping to get something posted on my newest siding, but so far there isn't much to photograph.  I hope someone else throws out some ideas on your plan and comments.

Ok, so progress up until now has been slow and unsteady. Finally the room is coming together, as in the walls and floor are painted. Lighting is being developed and in progress. Now if I had a better idea of my layout, things would be on the optimistic side of full speed ahead. I have read many post about my first question... Layout height! What is the overall range of heights. My gut instinct is 42" high. Range starting around 38" to 42" anyone with reasons to go to a different height? I am sure the lower the height, the more accessible the car corners are to reach. 

 next question, does anyone have instructions for making scenery on L-girder benchwork? Looks like lots of open holes to fill...

All help is greatly appreciated!

Thanks John

My 2 cents regarding layout height...  One portion of my layout is at about mid-chest (around the top of the strike zone).  This shortens my useful reach, but it also makes it easy to sit on a rolling stool underneath to work on wiring and gives a more interesting viewing perspective.  It might also be a bit high if being viewable by small children was a consideration.  The other portion is about waist high - easier to work on from above, but I need to work on my back on a creeper to do things underneath, which I don't enjoy.

When I do it over, I'm not sure which way I'll go.

It's a personal decision based on reach, mobility, and preferred viewing angle.  Perhaps it would be useful to set up a table with some trains on it and raise/lower the height and see what works best for you.

Re scenery on L-girder benchwork...  Mine is L-girder (quick, strong, uses less wood), but I haven't yet done any scenery on it.  However, I laid plywood over it, so there are no holes to fill unless I create them.  If you don't go the plywood route, it seems like gaps can be filled with thin plywood or rigid foam panels.

My plan has been to build raised areas using foam, and cut openings where depressions are needed.  Sadly, due to inertia I can't report on how well that is working out.  

@Mallard4468 posted:

My 2 cents regarding layout height...  One portion of my layout is at about mid-chest (around the top of the strike zone).  This shortens my useful reach, but it also makes it easy to sit on a rolling stool underneath to work on wiring and gives a more interesting viewing perspective.  It might also be a bit high if being viewable by small children was a consideration.  The other portion is about waist high - easier to work on from above, but I need to work on my back on a creeper to do things underneath, which I don't enjoy.

When I do it over, I'm not sure which way I'll go.

It's a personal decision based on reach, mobility, and preferred viewing angle.  Perhaps it would be useful to set up a table with some trains on it and raise/lower the height and see what works best for you.

Thank you for the input, I like the idea of setting up a table and adjusting the height with some trains on top. Reach is hopefully a secondary consideration as I am looking at an overhead creeper. I am 6' tall and working below decks is more of a concern as it will be a hard hat area for sure.

Again Thanks for the suggestions!

John

@Mallard4468 posted:

Re scenery on L-girder benchwork...  Mine is L-girder (quick, strong, uses less wood), but I haven't yet done any scenery on it.  However, I laid plywood over it, so there are no holes to fill unless I create them.  If you don't go the plywood route, it seems like gaps can be filled with thin plywood or rigid foam panels.

My plan has been to build raised areas using foam, and cut openings where depressions are needed.  Sadly, due to inertia I can't report on how well that is working out.  

I do like the idea of elevation changes that L-Girder allows and it is good to hear your experience has been positive, especially the quick and strong part. Am leaning towards foam for mountains and hills with maybe using it as a base covering so it can be "dugout" for small streams etc.

Thanks

John

John, My current layout is 43" high with the highest track level at 50".  I am 5' 11", and it works out well for me.  My last layout, which was a long time ago, used L-girder.  Places that didn't have roadbed and track were covered by extruded styrofoam which was the base for all my scenery.  It worked out well.  I didn't have any heavy buildings, but if I did, I would have built plywood bases to support their weight.

I used the method of setting up a temporary table with cardboard boxes to represent different heights before building that last layout which was a little higher.  This time, I just winged it from memory not wanting it quite so high.  Our girls were little then, and I had to hold them up to see the layout. (Shows how long ago it was-the youngest is now 27).  Since we don't have any grandchildren, I decided to build this layout to suit me, and will do whatever when the time comes that we have grandchildren.  I know my wife will give me space for age appropriate trains if the time comes.

Mallard is right on for determining decking height. The number of inches is not important because all of us are different heights. A shorter person might go as low as 36” while a taller person might go as high as 48” or even more. Some like to view from chest high while others like to view while sitting down. Children and grandchildren can be accommodated with something like a step stool. Those who add a 2nd level or elevated track have to consider that too.

As we age, we also have to think about access from below. If you plan traditional L-girder, note that it adds to the depth of the benchwork. With tabletop style benchwork you have your 1x4 frame topped with plywood/Homasote, so you end up closer to 5” (3.5+.75+.5). However, L-girder adds another 1x4 layer. It has the L-shaped rails for another 4.25”, then the girders, then the plywood/Homasote, around 9” total. That doesn’t sound like much until you’re on your knees crawling underneath to deal with wiring.

I’m not sure what you mean by “holes to fill”, but I’ll assume it’s open style decking. L-girder is just the framing. Like Mallard did, you can still lay plywood on top of it for a full deck. The other option is open cookie-cutter where you just put decking under the tracks and then fill in the open spaces with landscaping. That can be done with plywood/rigid foam panels or other materials to form mountains, etc. Like the track, it’s all supported by the joists or with risers. Here’s a crude example. Note that it has supports for the legs that I didn’t count in the 9” depth, the L-girder rails, the joists and then the full panel decking. In this case it looks like an 8’ section with only 1 center joist vs multiples on 16” centers. If you look at the 2nd photo you’ll see all the parts of benchwork using L-girder as the framing. It shows all the various types of risers, cleats, etc., used to support both open style roadbed and full sheet roadbed. Open style is mostly used where there are a lot of elevation changes throughout the layout. Where that isn’t the case, like yards, full panel is used. When you do open style, you simply cut the section for track out and raise it with risers. You then raise/lower the rest to get the look you want. You can leave it on the joists and fill in with rigid foam and other materials to create rolling hills, etc.

B3445B53-2803-4414-A754-9F94C61E3B22
952FBBA3-66D1-40C3-AD43-C339E4C80862

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  • B3445B53-2803-4414-A754-9F94C61E3B22
  • 952FBBA3-66D1-40C3-AD43-C339E4C80862
@Aegis21 posted:

...Reach is hopefully a secondary consideration as I am looking at an overhead creeper....

If possible, I'd suggest trying a topside creeper if you know someone who has one.  Also, there are other threads on here regarding them - suggest searching for them and reading.  I own one - there are many pluses and minuses, and a lot of it depends on one's agility and the ability to move it around the layout (the base has long and angled legs).  Although it's an indispensable tool, it can be awkward and uncomfortable to use - it's definitely a "last resort" method, at least for me.  It's also hard to store - you can't easily break it down or fold it up.

It looks like a lot of your plan is around the walls, so you might be able to get by without one.   

@Mark Boyce posted:

John, My current layout is 43" high with the highest track level at 50".  I am 5' 11", and it works out well for me.  My last layout, which was a long time ago, used L-girder.  Places that didn't have roadbed and track were covered by extruded styrofoam which was the base for all my scenery.  It worked out well.  I didn't have any heavy buildings, but if I did, I would have built plywood bases to support their weight.

I used the method of setting up a temporary table with cardboard boxes to represent different heights before building that last layout which was a little higher.  This time, I just winged it from memory not wanting it quite so high.  Our girls were little then, and I had to hold them up to see the layout. (Shows how long ago it was-the youngest is now 27).  Since we don't have any grandchildren, I decided to build this layout to suit me, and will do whatever when the time comes that we have grandchildren.  I know my wife will give me space for age appropriate trains if the time comes.

I will follow up on the different height tables, there is an old work bench I could use for a temp height test. Thanks for a good starting point.

@DoubleDAZ posted:

Mallard is right on for determining decking height. The number of inches is not important because all of us are different heights. A shorter person might go as low as 36” while a taller person might go as high as 48” or even more. Some like to view from chest high while others like to view while sitting down. Children and grandchildren can be accommodated with something like a step stool. Those who add a 2nd level or elevated track have to consider that too.

As we age, we also have to think about access from below. If you plan traditional L-girder, note that it adds to the depth of the benchwork. With tabletop style benchwork you have your 1x4 frame topped with plywood/Homasote, so you end up closer to 5” (3.5+.75+.5). However, L-girder adds another 1x4 layer. It has the L-shaped rails for another 4.25”, then the girders, then the plywood/Homasote, around 9” total. That doesn’t sound like much until you’re on your knees crawling underneath to deal with wiring.

I’m not sure what you mean by “holes to fill”, but I’ll assume it’s open style decking. L-girder is just the framing. Like Mallard did, you can still lay plywood on top of it for a full deck. The other option is open cookie-cutter where you just put decking under the tracks and then fill in the open spaces with landscaping. That can be done with plywood/rigid foam panels or other materials to form mountains, etc. Like the track, it’s all supported by the joists or with risers. Here’s a crude example. Note that it has supports for the legs that I didn’t count in the 9” depth, the L-girder rails, the joists and then the full panel decking. In this case it looks like an 8’ section with only 1 center joist vs multiples on 16” centers. If you look at the 2nd photo you’ll see all the parts of benchwork using L-girder as the framing. It shows all the various types of risers, cleats, etc., used to support both open style roadbed and full sheet roadbed. Open style is mostly used where there are a lot of elevation changes throughout the layout. Where that isn’t the case, like yards, full panel is used. When you do open style, you simply cut the section for track out and raise it with risers. You then raise/lower the rest to get the look you want. You can leave it on the joists and fill in with rigid foam and other materials to create rolling hills, etc.

B3445B53-2803-4414-A754-9F94C61E3B22
952FBBA3-66D1-40C3-AD43-C339E4C80862

Ah! Great explanation of combining different benchwork. So for the yard/roundhouse area flat benchmark and for areas with lots of vertical scenery L-girder can be used. Love the diagrams along with your insight. 

I think that the turntable roundhouse area is too small for a 34" turntable. At the moment I do not own large locomotives however it could be a regret later on. Any toughts?

@Mallard4468 posted:

If possible, I'd suggest trying a topside creeper if you know someone who has one.  Also, there are other threads on here regarding them - suggest searching for them and reading.  I own one - there are many pluses and minuses, and a lot of it depends on one's agility and the ability to move it around the layout (the base has long and angled legs).  Although it's an indispensable tool, it can be awkward and uncomfortable to use - it's definitely a "last resort" method, at least for me.  It's also hard to store - you can't easily break it down or fold it up.

It looks like a lot of your plan is around the walls, so you might be able to get by without one.   

I have read a fair amount on this forum about topside creepers. And I can see they could be difficult at best, especially for long periods of time. The decision will be made after the benchwork has been started

Thanks for your insight

Last edited by Aegis21

John,

Don’t confuse benchwork with the type of roadbed used. For the purposes of this discussion, there are 2 types of framing, one is L-girder and I’ll called the other “Standard”. There are also 2 types of roadbed, one is cookie-cutter and I’ll call the other “Tabletop”. You’ve seen photos of L-girder framing with cookie-cutter roadbed, so here’s one of Standard framing with cookie-cutter roadbed on risers. Note that the only difference is the type of framing to support the risers and roadbed.

C22644A3-ED43-4915-A451-F81F63BA59F8

Here’s a simple example of L-girder with both cookie-cutter and tabletop roadbed.

07FF34BC-1A52-4389-BAF5-59313D0A9082

Here’s an example of Tabletop where they cut out sections they wanted to raise and supported them with risers. What’s underneath could be L-girder or Standard framing, it doesn’t matter.

350CB6AD-01EA-4E8A-A879-A6DEB78D5B5B

There is no right or wrong way to do things, just as there is no right or wrong in what materials you decide to use, it’s whatever works for you.

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@DoubleDAZ posted:

John,

Don’t confuse benchwork with the type of roadbed used. For the purposes of this discussion, there are 2 types of framing, one is L-girder and I’ll called the other “Standard”. There are also 2 types of roadbed, one is cookie-cutter and I’ll call the other “Tabletop”. You’ve seen photos of L-girder framing with cookie-cutter roadbed, so here’s one of Standard framing with cookie-cutter roadbed on risers. Note that the only difference is the type of framing to support the risers and roadbed.

C22644A3-ED43-4915-A451-F81F63BA59F8

Here’s a simple example of L-girder with both cookie-cutter and tabletop roadbed.

07FF34BC-1A52-4389-BAF5-59313D0A9082

Here’s an example of Tabletop where they cut out sections they wanted to raise and supported them with risers. What’s underneath could be L-girder or Standard framing, it doesn’t matter.

350CB6AD-01EA-4E8A-A879-A6DEB78D5B5B

There is no right or wrong way to do things, just as there is no right or wrong in what materials you decide to use, it’s whatever works for you.

Beautiful bench work and great clarity on uses/flexibility! Looks like I will have to experiment and see what works best for my limited knowledge. Looks like a compromise between overhead access and underneath access. Since I do not have any experience with these situations, it will be my task to mock up a model bench work and evaluate the pros and cons of above and below clearances for my aching bones. LOL

Here is what I am leaning towards, for a track layout. Huge question is it realistic to have that turntable and yard as I have it now. Would like to have a roundhouse with three to five stalls. I am hoping with the use of flex track I can keep the distance between the round house and turntable to a minimum. I also changed the heights a bit to make the grades lower while maintaining vertical clearances. Any words of wisdom would be very much appreciated.

Thanks in Advance

JohnFinal_Rm_Dim_2020_09_29_34_36TT_Lower

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John, here is a Millhouse Rivers 34" turntable with an extended 4-stall Altoona roundhouse overlay. As you can see, there appears to be room. However, you asked if the setup was realistic and the short answer is I don't believe it is.
AFAIK, there's nothing realistic about curved whisker tracks.
There's also nothing realistic about the long red track or the extreme curve of the long purple track. I can't figure out how you intend to use either one.
You have a 34" turntable feeding whisker tracks that are over 43" long. If you try to place whiskers that close to each other, you may need those 43" because engines need to be far enough back so the front ends clear each other as they move in and out. How many engines do you need to have on the layout at any given time?
The yard is basically limited to backing consists in since there is no way for engines to move around the yard and there are no lead tracks to work a consist without fouling the orange mainline. To really do that, you'll need to approach the bridge from the bottom, then back into the yard, drop the load, come back out, back onto the turntable, etc. If you want a switcher to do the work, you need to park the consist on the mainline and the switcher will have a really interesting job trying to break the consist apart and store the cars. The whole thing seems convoluted to me, but then I'm no expert on yard design.

test

 

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@DoubleDAZ posted:

John, here is a Millhouse Rivers 34" turntable with an extended 4-stall Altoona roundhouse overlay. As you can see, there appears to be room. However, you asked if the setup was realistic and the short answer is I don't believe it is.
AFAIK, there's nothing realistic about curved whisker tracks.
There's also nothing realistic about the long red track or the extreme curve of the long purple track. I can't figure out how you intend to use either one.
You have a 34" turntable feeding whisker tracks that are over 43" long. If you try to place whiskers that close to each other, you may need those 43" because engines need to be far enough back so the front ends clear each other as they move in and out. How many engines do you need to have on the layout at any given time?
The yard is basically limited to backing consists in since there is no way for engines to move around the yard and there are no lead tracks to work a consist without fouling the orange mainline. To really do that, you'll need to approach the bridge from the bottom, then back into the yard, drop the load, come back out, back onto the turntable, etc. If you want a switcher to do the work, you need to park the consist on the mainline and the switcher will have a really interesting job trying to break the consist apart and store the cars. The whole thing seems convoluted to me, but then I'm no expert on yard design.

test

 

Well Said Dave! I am throwing darts at a moving board blindfolded, for sure. The idea behind this drawing (and any others I have messed up) was simply, how much track can that area hold. I am learning as I go and you have been a great teacher, as you are direct and blunt which works for me. Just to give you an idea of any planning I may have put into this layout, The elevations were a high 7" to 1" to give a 6" clearing for overhead/under crossings. Just put that as the worst case and grades <4  shouldn't be an issue since I have a little wiggle room. The large 34" turntable is also along those lines of put in the biggest and if that has a chance then smaller would fit with less problems. To expound on my ignorance of train operations, I wasn't clear on the size turn table as it relates to engine size. Yes I understand the loco needs to fit on table without significant or any overhang. However does the tender also need to fit? Does an A/B diesel unit need to fit?  When I say any and all help is welcome, I guess I really mean all help is required.

With that said, a turntable and roundhouse if at all possible would be fantastic, if it lends itself to overall operations. And an operating yard with a method to have a run around track, or other means of a switcher doing its job would also be appreciated. I do have a ross #170 four way yard switch, if that can be incorporated great, if not then that can be e-bay'd. Please feel free to give your opinion on any or all of these "wants" Also any one else please chime in as I am willing to learn and won't be offended by any remarks. This forum is a wealth of knowledge and I welcome any and all critiques.

John, You would want to turn both the locomotive and tender coupled together.  It would could be a real pain to unhook some tenders from their locomotives, and I have never heard of it done before on the prototype or models.  I think the same would hold for any AB units for similar reasons.  I don't have an AB set out to see how long they are.  Less tracks off the turntable would be good to eliminate the curved ones.  The 4-way switch for the yard saves space, but then you would need a runaround track on each side of the yard.  I have 4% grades on my layout, and they are working alright on my short trains.  I'm sure you would like to run longer trains than I can.  I setup a temporary track and tried it at different grades with each of my engines pulling cars to see what would work.  Remember that it takes a little more pulling power on grades than straightaways.

John, I meant no offense. I’ve been assuming you’ve just been filling the space with track, but at some point you have to come back down to earth and work with something more realistic and, more importantly, something that will fit. 🤪 You now know a 4-stall Altoona roundhouse with 34” turntable will fit, so it’s time to build on that to see if a useful yard can be designed around it. Personally, I suspect you don’t need anything larger than the smaller turntables that are in the SCARM libraries. So many want to use the biggest turntable and biggest curves that they miss out on design possibilities smaller curves would allow.

Anyway, when it comes to fit, yes, the tender has to be included, though technically I suppose an engine alone could be pushed/pulled by another engine. Think about it though. If you push an engine onto the turntable, how will you get it into the roundhouse or onto a whisker track? A-B units would be the same, but don’t know if A-B units are even turned on a turntable. Many, if not most, yards have engine houses, not turntables and roundhouses. Also, there’s nothing wrong with having a turntable just to turn engines, it doesn’t have to include a roundhouse.

The yard is another story. You can have a storage yard, like what you have, to store multiple trains ready to be run or you can try to fit in a working yard where a switcher moves cars around to configure different trains. Obviously, a working yard requires more than just storage tracks and I don’t know that you have the space for both a turntable/roundhouse and a working yard, at least not where they are now.

@Mark Boyce posted:

John, You would want to turn both the locomotive and tender coupled together.  It would could be a real pain to unhook some tenders from their locomotives, and I have never heard of it done before on the prototype or models.  I think the same would hold for any AB units for similar reasons.  I don't have an AB set out to see how long they are.  Less tracks off the turntable would be good to eliminate the curved ones.  The 4-way switch for the yard saves space, but then you would need a runaround track on each side of the yard.  I have 4% grades on my layout, and they are working alright on my short trains.  I'm sure you would like to run longer trains than I can.  I setup a temporary track and tried it at different grades with each of my engines pulling cars to see what would work.  Remember that it takes a little more pulling power on grades than straightaways.

Hi Mark,

Loco & tender for post war Berkshire 736 is about 21" so no worries there for now. Illinois Central Diesel AB unit is about 28" And I can imagine the NYC K-Line would be slightly longer, about 33" for A/B units. And I now see that the 4-way switch is an issue with runaround tracks. Glad to hear your 4% grades are ok I was shooting for 3.5% max grade and will do the experiment you did with actual trains pulling a consist up that grade and around curves. Great Advise Mark, Thanks!

@DoubleDAZ posted:

John, I meant no offense. I’ve been assuming you’ve just been filling the space with track, but at some point you have to come back down to earth and work with something more realistic and, more importantly, something that will fit. 🤪 You now know a 4-stall Altoona roundhouse with 34” turntable will fit, so it’s time to build on that to see if a useful yard can be designed around it. Personally, I suspect you don’t need anything larger than the smaller turntables that are in the SCARM libraries. So many want to use the biggest turntable and biggest curves that they miss out on design possibilities smaller curves would allow.

Anyway, when it comes to fit, yes, the tender has to be included, though technically I suppose an engine alone could be pushed/pulled by another engine. Think about it though. If you push an engine onto the turntable, how will you get it into the roundhouse or onto a whisker track? A-B units would be the same, but don’t know if A-B units are even turned on a turntable. Many, if not most, yards have engine houses, not turntables and roundhouses. Also, there’s nothing wrong with having a turntable just to turn engines, it doesn’t have to include a roundhouse.

The yard is another story. You can have a storage yard, like what you have, to store multiple trains ready to be run or you can try to fit in a working yard where a switcher moves cars around to configure different trains. Obviously, a working yard requires more than just storage tracks and I don’t know that you have the space for both a turntable/roundhouse and a working yard, at least not where they are now.

Hi Dave, no offense taken, actually the honest assessment is greatly appreciated. A working yard, rather than a storage yard is preferred. And if it would work a smaller turntable someplace. Looking at some of the layouts, it is becoming more apparent less track with more purposeful/useful track is much better for a working railroad. I was thinking maybe only one main line might lend itself to an overall better design.

please add your thoughts

Many thanks 

john

John, I’m a big fan of dual mainlines, mostly because you can run trains in opposite directions and simulate having turned engines without actually doing so. I’m also a big fan of over/under sections, elevation chamfers, etc. I have no affiliation with railroading, so I have no idea how things are done in real life. I just know what I like to see as we travel around the country and that’s trains going every which way. We see a lot of trains along I-10 through New Mexico and we especially enjoy seeing them pass each other out in the wide open spaces. I was hoping by now we’d have some additional eyes offering ideas, so I’m going to have to give this some more thought as I get time.

@DoubleDAZ posted:

John, I’m a big fan of dual mainlines, mostly because you can run trains in opposite directions and simulate having turned engines without actually doing so. I’m also a big fan of over/under sections, elevation chamfers, etc. I have no affiliation with railroading, so I have no idea how things are done in real life. I just know what I like to see as we travel around the country and that’s trains going every which way. We see a lot of trains along I-10 through New Mexico and we especially enjoy seeing them pass each other out in the wide open spaces. I was hoping by now we’d have some additional eyes offering ideas, so I’m going to have to give this some more thought as I get time.

Sounds like we are in the same mind set with over/under sections, two close main lines for opposite directions. Having said that it is also important to have some realistic operations and purpose with industries and towns. My only affiliation with railroading, was my Dad worked for the Pullman company out of NYC and I would visit Sunnyside yards in Queens NY. That and getting Lionel trains for xmas. At one point I thought about putting in towns and then industries and building a railroad to meet the needs of the industries and towns. Which is the way it naturally evolved when the country went from wagon trains to steam trains. With the space I have (which I am grateful to have) the layout should have some purpose and lots of fun with a bit of nostalgia thrown in for good measure. My trains have only been put up around the Christmas tree these past couple of years since we adopted our daughter. So that is about the extent of my knowledge and wants with building a model railroad.

And you’ve just hit on my Achilles Heel, adding realistic operations. It’s one thing to design a general flow around the room, but quite different adding spurs, buildings, etc., to serve as destinations. In Mark’s case, he had the basic operation in mind for his point to point, so all I did was help connect the 2 points with tracks that would fit. He started with 2 turntables that became reversing loops and eventually were replaced with an around the room design due to changes to the available space. Throughout all the changes, he kept the basic operation intact, city in the lower right up to an industry in the upper right.

In your case, we’re laying down an around the room flow and trying to come up with a reason for it to exist. You’ve got space before the bridge in the lower right for an industry of some sort. You’ve got room past the bridge for a mall towns but the elevation change going up will have an impact. You have room in the elevated upper left for another industry, like timber or mining. Then, of course, there’s the peninsula area where you’d like a turntable. There are others areas for spurs with businesses to be serviced or the passing sidings you currently have. I’m terrible at coming up with a theme because I just like to run trains, not service spurs.

Hi Dave,

Looks like having some areas designated for towns and industries and then trying to get a flow of main lines and servicing spurs has some merit. The elevation of the two main lines makes some of the design work interesting. I have trouble with having scarm have a turnout on a grade. So then grades start or end at turnouts unless there is enough track to get to the desired elevation.

Thought about moving turntable to lower right by bridge. That will eat up industry area. Looking for a coaling operation to model and using some gantry crane for maybe steel. Then a town or two with roads etc. Using the existing baseboard I'll layout some industries and designate town areas to see what can be done. I also have trouble picturing what is on scarm with how it translates to tabletop. I check the 3D drawing in scarm, but I have a block on putting in other objects once track is down.

Again Thanks for the help and support!

SCARM doesn't allow turnouts on grades, so you have to use a workaround. Obviously, the blue track (base) is on a flat surface at 0" elevation with the intent to raise the right end to 4". To do this, you need to experiment a little. I don't know if this will help, but let me know if you can't follow it and I'll try again.

The first step is to remove the turnout, fill the empty space, then create the grade (sample 2). Note that the grade is 2.9%.

When you compare sample 2 to the base, you can see that the turnout begins the grade at about the 1" point. So, the turnout (green) gets set to 1" on all 3 points (sample 3). Then you create the grades (purple) on both ends of the turnout. Note the grade TO the turnout becomes 2.7% while the grades on the other end are 3.4% and 3.5%. Note too that the first grade ends at 1" and the other 2 grades then begin at 1" and end at 4", but the slope of the grade is more than the original 2.9%.

If you plan to set the turnout on the grade, you can simulate that by deleting the turnout and again filling it in (sample 4). You can see in sample 2, you can see that the turnout would end at the 1.5" point. So you then set the grade of the straight through section from 0' to 4" and then set the grade for the turnout section from 1.5" to 4". Note that the grades for both are 2.9%.

test

 

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@DoubleDAZ posted:

SCARM doesn't allow turnouts on grades, so you have to use a workaround. Obviously, the blue track (base) is on a flat surface at 0" elevation with the intent to raise the right end to 4". To do this, you need to experiment a little. I don't know if this will help, but let me know if you can't follow it and I'll try again.

The first step is to remove the turnout, fill the empty space, then create the grade (sample 2). Note that the grade is 2.9%.

When you compare sample 2 to the base, you can see that the turnout begins the grade at about the 1" point. So, the turnout (green) gets set to 1" on all 3 points (sample 3). Then you create the grades (purple) on both ends of the turnout. Note the grade TO the turnout becomes 2.7% while the grades on the other end are 3.4% and 3.5%. Note too that the first grade ends at 1" and the other 2 grades then begin at 1" and end at 4", but the slope of the grade is more than the original 2.9%.

If you plan to set the turnout on the grade, you can simulate that by deleting the turnout and again filling it in (sample 4). You can see in sample 2, you can see that the turnout would end at the 1.5" point. So you then set the grade of the straight through section from 0' to 4" and then set the grade for the turnout section from 1.5" to 4". Note that the grades for both are 2.9%.

test

 

Neat trick Dave! I think I follow and will try on scarm to verify I understand the proceedure.

Thanks John

Dave, we spent so much time on all the versions of my layout plan, you remembered very well. 

John, The lower town Dave mentioned (Parsons-Hendricks, WV) had logging and a tannery.  Today there is a Kingsford charcoal plant.  Thomas WV is at the top of the mountain and was basically a coal marshalling yard.  Today there is Mount Storm Power Station where I worked in the '90s that took coal right from the mine until the correct grade of coal was mined out, now they bring it in from Cumberland the opposite direction from my section.  Today the railroad is a rails to trails up the mountain from Parsons.  It is ironic, that a forum member suggested this very railroad as a prototype the first few days after I started my topic, and I had already planned an HO layout of the same area I was familiar with back in the late '90-'00s.

Of course as Dave mentioned I had to do a lot of compression and trimming to fit it in an 11x11 room, but it is working out.

I like seeing your roundhouse and turntable on the peninsula by the double bridge.  The only trouble is the yard is on the other side of the two mainlines.  I know you are just trying to get the feel of doing some more advanced things with SCARM, but every variation you has the potential of making something click and lead to a great idea.  I'm with Dave, Ilike the two routes and you can have trains going each way.  

When are you hoping to start building benchwork?  It won't be long now that the leaves will be down and we will have them cleaned up as best we can for the winter.  (Dave doesn't get the privilege of raking leaves and shoveling snow any more.)  It's a shame!  

Mark,

I deal with bags of leaves every weekend here. We have 2 large Ficus trees that shed leaves all year long plus 2 adult fruit trees with 3 more young ones growing and a Texas Lilac. Just today I ran 5 bags, 33 gallons each, over to my brother-in-law’s where he mulches them in his rather large flower beds. Two weeks ago it was 4 bags (39 gallons) and 3 bags (33 gallons). It tapers off over the winter where I only bag once a month or so and we’re having the trees pruned on October 20, which will help. Pruning is quite expensive, but it’s a cost I’m willing to bear. Had I known this beforehand though, I probably wouldn’t have planted the trees.

It’s true enough though that I no longer deal with snow and there are only a few days where I deal with a frosted windshield. That I don’t miss. 😝

John,

When it comes to model railroad "operations," there is a lot of existing information out there.  For starters, there is an NMRA Special Interest Group for Layout Design (LDSIG).  I believe they have a Facebook page and operate under a group.io format as well.  I signed up to get their e-mails from group.io (which is a Google operation, I believe) and the information they discuss can be quite useful.  Their focus is on layout design for better operations.

There have also been numerous articles and authors that have discussed this topic, starting with Frank Ellison in the 1950s(?) (a 6 part series in Model Railroader called "The Art of Model Railroading") and continuing today through people like Tony Koester.  There are also quite a few books on the subject, but the one most often recommended is "Planning Your Model Railroad for Realistic Operation" which is a Kalmbach publication, I believe.  "Operating" a model railroad can be tons of fun if you design your plan well, but as I view it, your current plan is really only good for "looping" with the added ability of changing the trains / engines that run the loops.

To operate, you have to get down to the nitty-gritty of what industries you want to model or what locations (whether towns or areas of the country) you want to model.  Some people prefer to model large industries like steel mills, coal mines, refineries, or automobile manufacturers.  Others prefer to model smaller industries built within or near towns (including ports), while some prefer to model unit trains hauling their dedicated cargoes between large yards.  Finally, there are those that like to model passenger operations (either city-to-city or commuters) and those that like to model short-lines that only serve a few customers from an interchange with a Class 1 railroad. 

Whatever you choose, it might also help if you develop a "back story" for why your railroad exists, if it is fictional.  If not fictional, use location names that at least sound like they might have been found along the railroad you model.  E,g., you would probably not find Sonora along the Pennsylvania RR.

As you can see, the "operation" possibilities are quite open, and anyone wanting to help you must know your limitations and choices, something the planners call "givens and druthers."  One thing I've learned from the LDSIG and other readings is the idea of LDE, Layout Design Elements.  You get ideas (including from other people's layouts) from anywhere about what you like to have in your layout (a port, a steel mill, one or more small towns, an interchange, etc.), then you draft a scaled down version that meets your needs and will fit in your layout space without overpowering it.  Then you try and fit as many of these LDEs as you can into your layout, connecting them all in some logical way (or any way that makes you happy, as long as it makes operating sense).

You have to be the one to choose and design your LDEs.  Once those are done, friendly people here will offer suggestions for improvement and might even offer suggestions for how to squeeze them into your space in a logical manner.

Good luck,

Chuck

@Mark Boyce posted:

Dave, we spent so much time on all the versions of my layout plan, you remembered very well. 

John, The lower town Dave mentioned (Parsons-Hendricks, WV) had logging and a tannery.  Today there is a Kingsford charcoal plant.  Thomas WV is at the top of the mountain and was basically a coal marshalling yard.  Today there is Mount Storm Power Station where I worked in the '90s that took coal right from the mine until the correct grade of coal was mined out, now they bring it in from Cumberland the opposite direction from my section.  Today the railroad is a rails to trails up the mountain from Parsons.  It is ironic, that a forum member suggested this very railroad as a prototype the first few days after I started my topic, and I had already planned an HO layout of the same area I was familiar with back in the late '90-'00s.

Of course as Dave mentioned I had to do a lot of compression and trimming to fit it in an 11x11 room, but it is working out.

I like seeing your roundhouse and turntable on the peninsula by the double bridge.  The only trouble is the yard is on the other side of the two mainlines.  I know you are just trying to get the feel of doing some more advanced things with SCARM, but every variation you has the potential of making something click and lead to a great idea.  I'm with Dave, Ilike the two routes and you can have trains going each way.  

When are you hoping to start building benchwork?  It won't be long now that the leaves will be down and we will have them cleaned up as best we can for the winter.  (Dave doesn't get the privilege of raking leaves and shoveling snow any more.)  It's a shame!  

Hi Mark,

Your layout is fantastic and looks like it will provide endless enjoyment. Great job on adapting and putting in so much in your space.

Turntable was "thrown" there to get out of the way and no rhyme or reason to it, however it is growing on me. And two main lines will say in for the reasons you and Dave stated, looks cool! 

As far as bench work goes, solid or at least semi-solid plans need to be on paper first. One more sticking point is the double track bridge that will be a hinged lift for access to middle. The issue is both main lines are at same elevation and then it is a long grade to go for over/under main line crossings. Doesn't lend it self for breaking out spurs or siding at different elevations. I would love to get bench work started before Dec. 

How are you doing on your layout? Sounds like leaves have taken over! A friend of mine back in conn. Was asked where he wanted to retire to? He said he would put his snowblower in the back of his truck and drive south until some one asked him what the contraption was in his pick up! 

@PRR1950 posted:

John,

When it comes to model railroad "operations," there is a lot of existing information out there.  For starters, there is an NMRA Special Interest Group for Layout Design (LDSIG).  I believe they have a Facebook page and operate under a group.io format as well.  I signed up to get their e-mails from group.io (which is a Google operation, I believe) and the information they discuss can be quite useful.  Their focus is on layout design for better operations.

There have also been numerous articles and authors that have discussed this topic, starting with Frank Ellison in the 1950s(?) (a 6 part series in Model Railroader called "The Art of Model Railroading") and continuing today through people like Tony Koester.  There are also quite a few books on the subject, but the one most often recommended is "Planning Your Model Railroad for Realistic Operation" which is a Kalmbach publication, I believe.  "Operating" a model railroad can be tons of fun if you design your plan well, but as I view it, your current plan is really only good for "looping" with the added ability of changing the trains / engines that run the loops.

To operate, you have to get down to the nitty-gritty of what industries you want to model or what locations (whether towns or areas of the country) you want to model.  Some people prefer to model large industries like steel mills, coal mines, refineries, or automobile manufacturers.  Others prefer to model smaller industries built within or near towns (including ports), while some prefer to model unit trains hauling their dedicated cargoes between large yards.  Finally, there are those that like to model passenger operations (either city-to-city or commuters) and those that like to model short-lines that only serve a few customers from an interchange with a Class 1 railroad. 

Whatever you choose, it might also help if you develop a "back story" for why your railroad exists, if it is fictional.  If not fictional, use location names that at least sound like they might have been found along the railroad you model.  E,g., you would probably not find Sonora along the Pennsylvania RR.

As you can see, the "operation" possibilities are quite open, and anyone wanting to help you must know your limitations and choices, something the planners call "givens and druthers."  One thing I've learned from the LDSIG and other readings is the idea of LDE, Layout Design Elements.  You get ideas (including from other people's layouts) from anywhere about what you like to have in your layout (a port, a steel mill, one or more small towns, an interchange, etc.), then you draft a scaled down version that meets your needs and will fit in your layout space without overpowering it.  Then you try and fit as many of these LDEs as you can into your layout, connecting them all in some logical way (or any way that makes you happy, as long as it makes operating sense).

You have to be the one to choose and design your LDEs.  Once those are done, friendly people here will offer suggestions for improvement and might even offer suggestions for how to squeeze them into your space in a logical manner.

Good luck,

Chuck

Hello Chuck,

Thanks for the referrals on Ldsig, NMRA site has been confusing for me, however I'll try again. As for reading, I'm just starting a operations layout book by Armstrong and have just gotten another by Tony Koester. Hoping to garner railroad knowledge for sure which will help clear the ton of mud I seem to be in. Also great suggestion of a back story for sorting out what the railroad does to earn its keep. That will force me to pen givens and druthers. 

Thanks a ton for all the help

John

John, My layout building is very slow right now.  That is why I haven't posted anything on my own topic or the 'What did you do on your layout' topic.  I did figure out a place to add another rather long spur on the lower level, cut in a switch from the main line, and added a bit of roadbed.  This has all been done in very short spurts over the last few weeks.

Since it cooled down from the unusually hot summer weather, I have been trying to finish up everything outside I didn't get done last summer with my knee surgery looming and this years things.  I have maybe a couple hours more painting to do and an afternoon of work to fix the end of a cracked drainage pipe.  Since we still aren't getting much rain, I have only been mowing about once a month since June, so I should wrap those things up before the leaves are falling in ernest.  Actually, with the dry weather, we have been seeing a few leaves falling all through the summer.  I have never seen that.  Maybe I was was wrong, and we have more like Dave's weather here around Butler.  Looking at the radar, almost every time there was rain coming in from Ohio, it went north of us up your way.  The one storm we got about a month ago broke limbs off one of our trees and the tree trimmers have cleaned that all up.  Maybe I won't have as many to clean up this year!

John. It looks like you understood my explanation about placing the turnout on a grade in SCARM. Just be aware that during construction you don't want to start/end a grade at a turnout. As Mark will tell you, it's not easy to ease into or out of a grade to get a smooth transition and a turnout just complicates things. The main point of the exercise in SCARM though is just to see how things will fit, adjustments are always needed when actually constructing grades to get things to work smoothly.

Anyway, I took the liberty of further color coding the grades. This allows you to select them simply by double-clicking to check or change the grade. Color coding also lets you readily see where grades begin/end. I noticed the grade down to the bridge wasn't set and the yard area was elevated to 7", so I fixed those. Further, I know you're just playing around with things, but I'm curious how you think you'd use the long spur that goes just beneath the yard and the lone spur coming off the yard. I'm hesitant to fiddle with the yard design until I get a better feel for your thoughts.

Final_Rm_Dim_2020_10_06_E daz

 

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Hi Dave, Again thanks for the free scarm lesson. As for what is on layout now, it is just throwing ideas around and elevations went out the window so to speak. Am reading some good books on layout and operational design. Some of how I was thinking or picturing spurs and sidings we’re totally backwards. I will say two main lines is something to strive to have on layout

Again many Thanks 

John

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Based on info in previous posts re operations and NMRA resources (all very good info, BTW) and responses, I'm getting the impression that you may be trying to do too much too soon.  This is not meant as a criticism; I suffer from this syndrome myself.

It's incredibly difficult to design and build the "perfect" layout (if such a thing exists), especially if you haven't built one recently.  "Operations" (in NMRA parlance) can be interesting for some folks, and stressful and tedious for others.  Before going all-in on operations, I suggest attending an ops session in your area to see if that's your cup of tea.  You might love it, or you might learn that you'd rather be a loop runner - although some rivet counters might disagree, IMO there's no shame in that.

The Black Diamond Railway series of DVDs might be worth watching - covers the entire process of building a high quality 3-rail layout from start to finish.

Good luck on the journey.

John, Mallard has a good point.  I know after attending an operating session on a large HO layout in Pittsburgh probably 20 years ago that I don't like operations of switching cars in and out going from one industry to another along the mainline.  On the other hand, just rolling trains around endlessly on one or any number of loops is not interesting to me either.  I do not know how much I will like this layout I'm building, but it is kind of in between those two extremes. 

I have the Black Diamond Railway set of DVDs Mallard referred to if you would like to borrow them.

@Mallard4468 posted:

Based on info in previous posts re operations and NMRA resources (all very good info, BTW) and responses, I'm getting the impression that you may be trying to do too much too soon.  This is not meant as a criticism; I suffer from this syndrome myself.

It's incredibly difficult to design and build the "perfect" layout (if such a thing exists), especially if you haven't built one recently.  "Operations" (in NMRA parlance) can be interesting for some folks, and stressful and tedious for others.  Before going all-in on operations, I suggest attending an ops session in your area to see if that's your cup of tea.  You might love it, or you might learn that you'd rather be a loop runner - although some rivet counters might disagree, IMO there's no shame in that.

The Black Diamond Railway series of DVDs might be worth watching - covers the entire process of building a high quality 3-rail layout from start to finish.

Good luck on the journey.

All good info! Although I cannot predict where my interest will take me, the fact I have purchased over the years, two coal loaders, icing station and two gantry cranes show interest in industries. Being able to have those industries integrated properly with a railroad in an intelligent efficient manner is a given. To run operations with time tables and schedules may be too much for my interest now. That may change in the future, but for now those are my general tendencies. 

Doing too much too soon hits the nail on the head! Learning benchwork, backdrop painting, New electronics for trains (New for 1950's) getting back into trains after 50 years is a lot of catching up! 

Thanks for your help, all is appreciated.

John

 

@Mark Boyce posted:

John, Mallard has a good point.  I know after attending an operating session on a large HO layout in Pittsburgh probably 20 years ago that I don't like operations of switching cars in and out going from one industry to another along the mainline.  On the other hand, just rolling trains around endlessly on one or any number of loops is not interesting to me either.  I do not know how much I will like this layout I'm building, but it is kind of in between those two extremes. 

I have the Black Diamond Railway set of DVDs Mallard referred to if you would like to borrow them.

Mark,  sounds like we have same general interest in railroading. Would love to borrow your dvd 's The strict operations for me is too much at this point. Have you figured out your dual height bridges? 

John, I watched some YouTube videos on similar projects.  It doesn't matter what scale they are to get the concept and construction.  So far they were way too elaborate for my situation since they were lifting up or swinging up a whole section with scenery.  One of those in England had good ideas on the electrical interlocks to power tracks when the bridge is down and stop power before the bridge when in the up position.  I think just making lift up bridges with no scenery would be best for both yours and my application.    The more mass you want to lift, the more sturdy you have to make the lift section and where it hinges to the stationary layout to keep it from skewing.  My thought so far is to make two bridges that operate separately.  In your case of course you can use one double track bridge.

I'll send a private message later to discuss getting the DVDs to you.  I think sharing ideas about each of our builds here benefits both of us, and could help getting others involved in the discussion.  Discussing logistics of getting together works better on private message.

Hi Mark,

I can see the wisdom in two bridges without scenery for weight and complexity. The problem my twin track bridge poses has both lines at same elevation which using 3% grade creates a long run before they can cross over/under. I was wondering if a second single track bridge at a lower elevation would open up more possibilities without making it too cumbersome to get in and out. Are you looking at a swing up or swing down or maybe one of each? It seems to be better to swing up if overhead clearance allows. Setting the bridge down on a support bracket rather than somehow locking in a swing down bridge in the running position would afford increased stability. If you have overhead room, having your two bridges tied together at the end that rises might be an option. Both swing up and down together, using some aluminum channel to tie them together. With a couple of locating pins or other alignment fixtures the running position could be made secure and precise enough to allow smooth rail transitions. Just a thought.

I hadn't paid attention that your bridge is on the grade.  I ignored Dave's fine color coding.    You definitely would have more flexibility if you used separate bridges, but then you would have to fuss with two lift-ups.  Both of my tracks are level at the bridge site.  As I worked my way around the room with the benchwork, I ended up with the second end 1/2 inch lower than the other.  By the time I found it, I had put shelves in underneath and loaded them to make room to work.  I had to jack up the left end and worked out the problem.  For some reason, I like level bridges, though we see them at all angles in this part of the country all the time.

I was planning on making both of mine lift-ups for the reasons you state.  There is plenty of head room.  I don't think I am up to trying to gang two bridges to lift up together when they are separated by 6 1/2 vertical inches.  Here are photographs of the temporary lift out I made, which shows the problems of having the two tracks at different levels.  I just connect alligator clips to the wires from the rails.  I just put screws into the sides of the table to align it.  It is awkward to put in place as the alignment never quite works out, but the intent was a quick build until I can come up with something more substantial and permanent.  Trains do go across both tracks fine.

2020-10-08 14.36.222020-10-08 14.36.10

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John, I guess I missed something about the bridge being elevated. Obviously, you can't do that with a dual track bridge, so I just assumed the grade down to the bridge hadn't been finished and the elevated yard was a leftover from an experiment. I don't think it's practical to raise the yard, but then I'm not sure where you were going with that, so it's hard to comment further.

Since you seem to want different elevations around the layout, check out this version. I changed the base elevation to 1" so I could go down a bit with the part of the orange line that's covered and lower the grade a bit along the top down to the bridge. So, the yard and some other tracks are at 1" and the rest are as indicated. I also fiddled some more with the yard trying to make it somewhat functional using your 4-way switch. However, the yard being separated from the turntable and engines having to travel through the double crossover is far from ideal. Mind you, it can work, but you'll have to stop trains on the mainlines to do it.

Final_Rm_Dim_2020_10_06_E daz

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@Mark Boyce posted:

I hadn't paid attention that your bridge is on the grade.  I ignored Dave's fine color coding.    You definitely would have more flexibility if you used separate bridges, but then you would have to fuss with two lift-ups.  Both of my tracks are level at the bridge site.  As I worked my way around the room with the benchwork, I ended up with the second end 1/2 inch lower than the other.  By the time I found it, I had put shelves in underneath and loaded them to make room to work.  I had to jack up the left end and worked out the problem.  For some reason, I like level bridges, though we see them at all angles in this part of the country all the time.

I was planning on making both of mine lift-ups for the reasons you state.  There is plenty of head room.  I don't think I am up to trying to gang two bridges to lift up together when they are separated by 6 1/2 vertical inches.  Here are photographs of the temporary lift out I made, which shows the problems of having the two tracks at different levels.  I just connect alligator clips to the wires from the rails.  I just put screws into the sides of the table to align it.  It is awkward to put in place as the alignment never quite works out, but the intent was a quick build until I can come up with something more substantial and permanent.  Trains do go across both tracks fine.

2020-10-08 14.36.222020-10-08 14.36.10

Mark, the two bridges do allow you the elevation differences I was trying to get away without two bridges. I am also partial to level bridges for purely a personal preference only. Looking at your bridges, I can see possible difficulties with scenery. I have to admit you sound like you took the bench work gremlins extremely well. Much better than I would have...

Nice pics and you have to be glad the trains are not only running, but running issue free over those bridges!

Great job!

@DoubleDAZ posted:

John, I guess I missed something about the bridge being elevated. Obviously, you can't do that with a dual track bridge, so I just assumed the grade down to the bridge hadn't been finished and the elevated yard was a leftover from an experiment. I don't think it's practical to raise the yard, but then I'm not sure where you were going with that, so it's hard to comment further.

Since you seem to want different elevations around the layout, check out this version. I changed the base elevation to 1" so I could go down a bit with the part of the orange line that's covered and lower the grade a bit along the top down to the bridge. So, the yard and some other tracks are at 1" and the rest are as indicated. I also fiddled some more with the yard trying to make it somewhat functional using your 4-way switch. However, the yard being separated from the turntable and engines having to travel through the double crossover is far from ideal. Mind you, it can work, but you'll have to stop trains on the mainlines to do it.

Final_Rm_Dim_2020_10_06_E daz

Hi Dave,   You did not miss anything about the bridge being elevated. At one point, the bridge was at a seven inch elevation to try and put in a loop under the bottom peninsula with sharper curves being hidden in a tunnel. So elevation there at this point isn't relative. Your assumption was correct in the grade being leftover.

Great job with setting the elevations and getting realistic grades. The yard and turntable are definitely an issue. I put turntable there to see how/if it fit and was then going to look at how the neck I would get the yard integrated. At this point,  z scale is looking better, if I could only see things that small.

Not sure there is a fix for the yard/turntable issue. That list of givens and druthers needs to be done and tough decisions will need to be made.

If you're going to do that, then take a look at this for some more ideas. The turntable is a Millhouse Rivers 28" with an Atlas 3-stall roundhouse. I know the right grade is too steep, but the siding could be moved to the apex of the loop and the grade reduced. I did the best I could using your 4-way switch. I didn't know what all the buildings were, but I left them in.

Anyway, just more food for thought.

John 2020-10-11 daz

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@DoubleDAZ posted:

If you're going to do that, then take a look at this for some more ideas. The turntable is a Millhouse Rivers 28" with an Atlas 3-stall roundhouse. I know the right grade is too steep, but the siding could be moved to the apex of the loop and the grade reduced. I did the best I could using your 4-way switch. I didn't know what all the buildings were, but I left them in.

Anyway, just more food for thought.

John 2020-10-11 daz

So much better use of space Dave. More room for scenery and buildings.

@DoubleDAZ posted:

Thanks, Mark. Not sure that John will think about it, but at least there are some more ideas.

WOW !!! That looks great for sure, is what I,m thinking and seeing. Love the yard and turntable being a coherent unit and a general "yard" area. Dave I have some things that need attending tonight so I have to run. Is it possible to have the yard at a low enough elevation to extend it under the two main lines that go over the bridge? Oh and you even found a river for the bascule bridge!!! Now the question is, will the reach be too far for topside creeper and comfortable working arrangement ? And of course the isle width is fantastic!

@DoubleDAZ posted:

No, that’s there to make sure the center-to-center clearance is maintained as we make changes. It will need to be replaced with straight tracks once we’re done making changes.

That is why I have trouble and you don't ! You know what you are doing! Verses me floundering around in the mud. Thanks for that tip, along with the other countless tips you have provided!

Don't feel bad, John!  I was able to do basic stuff, but I needed Dave's help to make flex track connection snip work right and to get the elevation tool to work at all.  I think Dave has made SCARM a sub-hobby and is really good at it.  I am so thankful he was so knowledgeable and willing to help me.

I propose the theory that Dave gets a huge supply of Vitamin D living in the Phoenix suburbs, while everyone knows those of us in Western Pennsylvania have a huge Vitamin D deficiency!  That's my story, and I'm sticking to it!! 

Not true, Mark, I actually had a Vitamin D deficiency because some meds keep me out of the sun. But I’ve since been taken off some of those, so now between the Vitamin D supplements I was taking and getting more sun, I back within the normal range. Thanks for the other comments though, I do appreciate them. I do enjoy using SCARM and it helps keep my brain active.

John, I’m almost always available to help and I enjoy it. One mistake a few people make is using the longest straight tracks while still designing. Using the shorter 12.4” GarGraves actually helps the editing process. Another mistake is snipping curved tracks wrong, then using flex track to make the next connection. Too often this results in the next straight section being angled a fraction of a degree and that throws the rest of the layout off kilter. I never snip curved tracks or connect with flex until all the other sectional tracks are added, especially sections that include switches. Don’t get me wrong, there’s nothing wrong with using flex, but too many folks end up with curves that are too tight. I realize a lot of folks use software just to get a general design, but there’s always the danger of ending up with something that doesn’t work when laying actual track. And when folks ask how to do something, iI usually provide examples rather than just do it for them, that way they learn.

Well, I'll be interested to see your ideas. The problem area is the yard. The only way I can see to lower the 4.0% and 4.4% grades there is by the yard tracks that go under the mainlines and/or reducing the clearance from 6.5". As near as I can tell, you need 1.5" to get down to 3.4%. I moved the passing sidings out of the way to make fiddling with the grades easier and here's what I've got so far. I lowered some of the yard tracks down 1.5" to see what that would do and got the 4.4% grade down, but that's certainly not recommended.

John 2020-10-13 daz

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@DoubleDAZ posted:

Well, I'll be interested to see your ideas. The problem area is the yard. The only way I can see to lower the 4.0% and 4.4% grades there is by the yard tracks that go under the mainlines and/or reducing the clearance from 6.5". As near as I can tell, you need 1.5" to get down to 3.4%. I moved the passing sidings out of the way to make fiddling with the grades easier and here's what I've got so far. I lowered some of the yard tracks down 1.5" to see what that would do and got the 4.4% grade down, but that's certainly not recommended.

John 2020-10-13 daz

Hi Dave, I was thinking on moving the double crossover to the two sidings up towards the top, then having a turnout to the yard further to the yellow track 072 last curve. Doing that may have the grades lower with a longer start. I'll work on this in the morning and post an example.

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@DoubleDAZ posted:

Not true, Mark, I actually had a Vitamin D deficiency because some meds keep me out of the sun. But I’ve since been taken off some of those, so now between the Vitamin D supplements I was taking and getting more sun, I back within the normal range. Thanks for the other comments though, I do appreciate them. I do enjoy using SCARM and it helps keep my brain active.

😄  I have to take vitamin D.  I agree you just enjoy SCARM and it does help keep your brain active

@DoubleDAZ posted:

Well, I'll be interested to see your ideas. The problem area is the yard. The only way I can see to lower the 4.0% and 4.4% grades there is by the yard tracks that go under the mainlines and/or reducing the clearance from 6.5". As near as I can tell, you need 1.5" to get down to 3.4%. I moved the passing sidings out of the way to make fiddling with the grades easier and here's what I've got so far. I lowered some of the yard tracks down 1.5" to see what that would do and got the 4.4% grade down, but that's certainly not recommended.

John 2020-10-13 daz

Dave, it says image not found ...????

GRJ, I assume the 6.5” elevation John is using in SCARM includes 3/4” plywood, 1/2” Homasote and 1/4” roadbed making his actual clearance 5” (or 5 1/4” if he’s using 1/2” plywood for the elevated sections). He could lower the clearance over the yard if he used just an elevated trestle setup or 1/2” plywood without the Homasote. He hasn’t said how tall his tallest rolling stock is.

Hi Dave, Please do not assume anything! Not sure (meaning I have no idea) what will the road bed and supports will look like. That was my reason to error on the side of worst case. Here is my attempt to get the grades under control. I am sure there are much better ways to accomplish this, no doubt. This seems as it may work out. What are your thoughts on using the double crossover on the sidings? Almost all of my collection is 1950's so the max would be around 5 inches. Although I haven't measured. That said I do not want too much of an overhead restriction as I am sure to fall to the new style cars and engines being manufactured today. Although I am sure I would stay on the smaller scale. But that would not mean a visitor would not have larger stock. Again I will error on the side of expansion and what the worst would bring. btw I am sure I did not keep layers correct... opps! I will clean up is this is viable.John 2020-10-13d daz

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My total elevation from the main level to the upper level is 7".  I'm using half inch plywood for the upper deck, and 1/4" foam roadbed.  The upper deck doesn't have Homasote, the main level does, but that doesn't enter into the calculation.  I'm figuring the upper deck and the supports to be 1", track height on the main level to be around 5/8" to the top of the rails.

GRJ, that is what I would do too. The problem is some of those decisions have to be made beforehand when doing things in software or you get grades that are too steep. That causes folks to change a design to lower a grade that really doesn’t need to be lowered. I tend to use 6” clearance figuring 5 1/4” for rolling stock, 1/2” for decking and 1/4” for roadbed. That pretty much matches what you have. In this case, any rolling stock taller than that simply has to be run on the outer loop only.

We added enough headroom on my layout plan, but my problem was in execution!  Somewhere I had a massive senior moment and starting at the top of the grade, I built it all 1" too low.  The plan was for an inch of material for the upper level, and I forgot to add it in.  It is all corrected now, but the sloppy retrofit reminds me of the lapse every time I see the layout. 

I did layout what I was doing in software, it helps a bunch when you're trying to figure out the total plan.  I will also mention that once you get to laying track, you'll find that sometimes the software solutions don't exactly work, and you need some fine tuning.  In that case, I try to go back to the software and fix it too, I want it to reflect reasonably closely what I end up with on the layout.  My grades ended up being 2.4% and 2.5% for the long ramps, I can live with that.  Ideally, I would have kept it closer to 2%, but that wasn't happening with the space I have.

John, I took a look at your file. Even though I imagine the consensus would be not to put the double crossover on a grade, I moved the inner loop closer to the outer loop and added the crossover. I tried keeping the crossover and 4 lead tracks flat, but that made the grade going up to 8" too steep. I was going to try some other things, but noticed some things that needs to be fixed before you go any further.

One is clearance issues. I like to keep things 3" from the walls and sides, but you can use whatever distance you're comfortable with. To illustrate, I added some 3" wide rectangles along the left side, tops and bottom to show how close you are to the walls. It doesn't pay to to play with the grades until the clearances are closer to where they need to be.

Along that same line, I overlaid the double crossover at the bottom again to show that those mainlines are too close to the wall, but still far enough from each other.

The curved switch was added incorrectly and that's why you had to use flex track to make the connections. The problem is the Ross switch doesn't directly replace the GG O-72 curve. It needed to be connected to the straight track and then an O-72 curve cut to fill the gap.

I think you might be able to accomplish what you're after by moving the crossover back to the bottom by the curved switch, moving the left side of the inner mainline over to the left more, lowering your elevation over the yard to 6" to get the grade closer to 3%.

Anyway, that's what I'll be working on doing.

John 2020-10-14 daz

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I only saw it once, but several people with a lot of experience with Gargraves sectional track told me it's common for them not to be exact and not to trust what a layout program tells you.  The Ross O72 curves I'm using here could have come out of a clone machine, they are EXACTLY the same from unit to unit.  Since I'm using Ross switches and just Gargraves flex track, it's all custom cut anyway, no problem here.

I swear I've used Ross curves with a Ross switch in place of GG curves to compete an arc, but in this case with the O54/O72 switch it doesn't seem to work. As you can see, the bottom arc doesn't end on a straight plane. John connected the switch to the curve and got the same result, so he used flex track to even things out. In the top arc, I connected the switch to the straight track, then cut a filler from a GG O72 curve to complete the connection.

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John, here's another version. I reduced the clearance to 6" hoping you'd use 1/2" plywood for the upper level. The major change is that the inner mainline doesn't dip down on the left side. There 2 sets of flex tracks along the bottom to eliminate the "S" curves that were there. I only replaced some of the 12.4" straights with 37" straights, but it's easy enough to replace the rest.

John 2020-10-14 daz

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Hi Dave,

The 3" clearance is definitely a big deal and thanks for giving me another needed parameter to include in any layout design. Great job getting things to actually look like a railroad!

A question that may need to be answered, are these parameters too big for this space? Is it realistic to use 072 curves in this given area?  Are two main lines one too many? Just thought I would ask this question, not knowing the realistic parameters that I should work with.

Well, like I said, I use 3”, but if you want it closer to the walls, you need to test the overhang on your engines.

As for O72 curves, it all depends on whether or not any of your equipment requires O72 curves, or just runs better on them. A lot of folks don’t like the look of the extra overhang you get with tighter curves, but I can honestly say that’s not something I’ve ever noticed. You do notice it if you look for it though, but all I care about is that the equipment goes around the layout without derailing. I’ll redo my latest version with O54 curves so you can see the difference.

I think you’d be crazy not to have 2 mainlines on a layout this size, but it does increase the cost substantially. They also reduce the space that’s available for scenery and spurs, but they let you run trains in both directions without having to use passing sidings and control your trains manually as well as providing over/under options. If you’re into switching and servicing businesses on spurs, then a single main might be more to your liking.

@DoubleDAZ posted:

Well, like I said, I use 3”, but if you want it closer to the walls, you need to test the overhang on your engines.

As for O72 curves, it all depends on whether or not any of your equipment requires O72 curves, or just runs better on them. A lot of folks don’t like the look of the extra overhang you get with tighter curves, but I can honestly say that’s not something I’ve ever noticed. You do notice it if you look for it though, but all I care about is that the equipment goes around the layout without derailing. I’ll redo my latest version with O54 curves so you can see the difference.

I think you’d be crazy not to have 2 mainlines on a layout this size, but it does increase the cost substantially. They also reduce the space that’s available for scenery and spurs, but they let you run trains in both directions without having to use passing sidings and control your trains manually as well as providing over/under options. If you’re into switching and servicing businesses on spurs, then a single main might be more to your liking.

With your recommendation I would like to keep the two main lines. I think having 054 curves in tunnels would hide the over hang issue. I’ll check out the differences with 054 curves. I do not have the experience with any curves larger than 031 LOL

Ok, here's what it looks like using mostly O54 switches and curves. I played with the upper spur to lower the grade for the inner mainline. I stayed with the 6" elevation, the flat left side of the inner mainline and added a passing siding back in. All the changes are on separate layers, so you can turn the old ones on to compare. Mare can be done with the upper bench work after the bridge to smooth the curves, etc. There's also a transparent polygon around the bench work so you can see the elevated track in 3D view. When you compare each layer to its counterpart, you'll see there's not much difference. I didn't think to put the grade labels on separate layers, so you'll have to refer to the other jpg photo.

John 2020-10-15 daz

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@DoubleDAZ posted:

Ok, here's what it looks like using mostly O54 switches and curves. I played with the upper spur to lower the grade for the inner mainline. I stayed with the 6" elevation, the flat left side of the inner mainline and added a passing siding back in. All the changes are on separate layers, so you can turn the old ones on to compare. Mare can be done with the upper bench work after the bridge to smooth the curves, etc. There's also a transparent polygon around the bench work so you can see the elevated track in 3D view. When you compare each layer to its counterpart, you'll see there's not much difference. I didn't think to put the grade labels on separate layers, so you'll have to refer to the other jpg photo.

John 2020-10-15 daz

Hi Dave,  Great job as always!  Yes you are right as it doesn't seem to make much difference if the curves are tighter, except when trains run, they will overhang more. So that would mean the 072 min. curve on mains should apply. I trust your preference of 3" wall clearance to be the best way for me to go, especially with the 4 foot reaches to the walls. Having track closer makes sense. Keeping grades to less than 3% is good, however keeping them < 2.5% would be better. I am trying to imagine running trains in and out of yard, and turntable. Seems like backing in from entrance is the preferred access. Hopefully I'll have some uninterrupted time to study what we have and start integrating buildings, roads, industries etc.   Again HUGE THANKS for all your help and everyone else who have taken their time to help me on this project.

That said, I’m going to delete my 2020-10-15 file, but I’ll see if I can integrate some of the changes in the current mainlines to get the grades down. Don’t forget, the grades are because I lowered the elevation to 6”, so if you still want 6 1/2” let me know.

There are ways to allow you to pull “into” the yard. One is to add a 2nd single track bridge to the topmost yard track and connect to the far orange curve on the other side. The other is to add 1 or more switches to the ends on the yard tracks, enough so an engine can pull in, disconnect, switch tracks and back out. You’d have to dedicate 2 yard tracks to that. I’ll work up an example of both if you want me too.

FWIW, I started with a 6" elevation, but I had to increase it to 7" to accommodate the tallest cars.  Right now, the tallest car I have access to is the MTH autorack, it stands 5 1/8" above the rail-head.  With allowance for the main level track, roadbed, and also the elevated section plywood and supports, I needed 7" from the main table level to the top of the elevated level surface.  My calculations are 1" for the elevated plywood and supports, and 7/16" for the main level roadbed and track.  This allows 5 1/2" of clearance, which should be sufficient for anything I'll be running.

GRJ, in John’s case, if he wants to use the minimum elevation to reduce the grades, he can limit higher cars to the outer mainline because it doesn’t go under the inner mainline. He’d also have to park them on the uncovered yard tracks. I’m suspect there are prototypical cases where tall cars, like tall trucks, are limited to certain routes.

Also, I don’t recommend it, but he could steal 3’ of the lowest yard track to lower the other 10’ an inch for those cars. The problem with that is either backing through the double crossover to get to the outer main or having a switcher pull the consist out to have the main engine connect and pull it though the double crossover going in the other direction.

FWIW, I started with a 6" elevation, but I had to increase it to 7" to accommodate the tallest cars.  Right now, the tallest car I have access to is the MTH autorack, it stands 5 1/8" above the rail-head.  With allowance for the main level track, roadbed, and also the elevated section plywood and supports, I needed 7" from the main table level to the top of the elevated level surface.  My calculations are 1" for the elevated plywood and supports, and 7/16" for the main level roadbed and track.  This allows 5 1/2" of clearance, which should be sufficient for anything I'll be running.

I think you will find the Premier double stack cars a a little be taller than the autoracks.  We use the double stacks to double check vertical clearances on the Paradise & Pacific.

This is an outstanding thread and thanks to all who have contributed!!!

John,

I gave it one more college try and here's what I came up with. I think I'm out of further things to try.
-- There's still a 2.8% grade on the inner line at the bottom, but that might be a little less steep depending on exactly where to start/end the grade.
-- The grade on the left shows 3.1%, but that falls to 2.5% if you include the switches on the grade.
-- Note that I rearranged both loops in the upper nook. The left grade can be reduced a bit more if you move the tunnel further to the right.
-- I moved the switch coming out of the yard to the other side of the double crossover so you cross as soon as you come out of the yard.
-- I rearranged the yard to add a crossover in the yard. This way you can pull a consist in on the 4th track from the bottom, uncouple the engine, move it past the switch, then crossover to the next track and out.
-- I still need to remove the double crossover from the bridge.
-- Also, note that the turntable/roundhouse configure is only as good as the models and different brands might have a different footprint.

John 2020-10-16 daz

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2.8 is a very reasonable grade, most stuff should be able to handle that.

I think you will find the Premier double stack cars a a little be taller than the autoracks.  We use the double stacks to double check vertical clearances on the Paradise & Pacific.

You might be right, I have some, but they're buried somewhere in a pile of boxes.  Hopefully, they're not more than 5.5".

All those changes make sense, Dave!  Looks very good. 

I know the bascule bridge and other spurs in the l shifted to the right and underneath them.  We see mainline tracks crossing over yards all the time on layouts.  What other thoughts are there for the spurs and the bridge to nowhere?  I have no problem with the bridge to nowhere as long as there is space to support it's piers, but the spurs get a little busy.  How long is the bascule bridge anyway?  Much too short to be used on the lower track at the walk in opening of the layout, I'm almost sure.

Mark, I agree the spurs by the Bascule bridge are too busy, but they were just added to fill the space. And they were all put there before the yard tracks were extended that far. The bridge over a yard makes no sense, nor does it make sense if the water is on the same level, but the water could be a thin sheet of plexiglass glued to the bottom of the 1/2" decking. I really haven't paid attention to all that because of the grades. And, yes, the bridge is too short for the entry opening. Here's my vision for that area.

bascule

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@DoubleDAZ posted:

Mark, I agree the spurs by the Bascule bridge are too busy, but they were just added to fill the space. And they were all put there before the yard tracks were extended that far. The bridge over a yard makes no sense, nor does it make sense if the water is on the same level, but the water could be a thin sheet of plexiglass glued to the bottom of the 1/2" decking. I really haven't paid attention to all that because of the grades. And, yes, the bridge is too short for the entry opening. Here's my vision for that area.

bascule

You have to be a politician to appreciate a bridge to nowhere...Yes this has been a neglected area that needs help. However the big picture needed to be developed. I have been trying to look at where industries could go and towns/buildings. Placing bridges and making some sense for operation, keeping grades and clearances  is definitely a push/pull exercise that is frustrating. Paralysis from analysis is taking a firm hold on me ...

Dave, Mark, GRJ, and everyone else on this forum, Thank you for all your help so far. I am sure it has saved me from so many errors, they probably cannot be counted. Thanks

John, there are layouts with tracks that go nowhere to simulate another part of the train universe. Usually they go toward a wall with a craftily painted mural of a train coming in or just tracks leading off into the sunset. I've even seen one where they cut the front off a broken engine and attached it to the wall like you would a faux building front (relief). In your case, you don't have a wall on the end, but you could add a removable panel on which to paint such a scene. The panel could be attached like rails on a pickup truck. I would also add a removable panel under the bridge over the entry like in the photo.

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Dave, the last plan looks like a great possibility.

John, the "bridge to nowhere" was a politician's nightmare.  Check out Pittsburgh's infamous Bridge to Nowhere.    https://en.wikipedia.org/wiki/Fort_Duquesne_Bridge

The Fort Duquesne Bridge is a steel bowstring arch bridge that spans the Allegheny River in Pittsburgh, Pennsylvania. It was colloquially referred to as "The Bridge to Nowhere". It was constructed from 1958-1963 by PennDOT, and opened for traffic October 17, 1969 with its predecessor Manchester Bridge (located closer to the tip of Point State Park) closing that same day (it was demolished in the autumn of 1970). The bridge was given the name "The Bridge to Nowhere" because the main span was finished in 1963, but due to delays in acquiring right of ways for the northern approach ramps, it did not connect on the north side of the Allegheny River. The total cost was budgeted at $5 million in 1962.[1] The lack of approach ramps meant the bridge ended in midair, rendering it useless. The northwestern ramps were completed in 1969, allowing access to Pennsylvania Route 65. The northeastern ramps were completed in 1986, with the construction of the northern section of Interstate 279 (North Shore Expressway) which runs through Downtown Pittsburgh's Golden Triangle and north towards Interstate 79. The bridge touches down halfway between Heinz Field and PNC Park Baseball Stadium on the City's North Shore.

"Bridge to Nowhere" in 1966

On December 12, 1964, Frederick Williams, a 21-year-old chemistry major at the University of Pittsburgh from Basking Ridge, New Jersey, drove his 1959 Chrysler station wagon through the bridge's wooden barricades, raced off the end of the bridge, and landed upside-down but unhurt on the other side, 190 feet away at the north bank of the Allegheny River.[2][3] His adventure is documented in WQED-TV's double Mid-Atlantic region Emmy Award-winning documentary "Flying off the Bridge to Nowhere and Other Tales of Pittsburgh Bridges", narrated by Rick Sebak.

Within a few weeks of this near tragedy, an iconic Pittsburgh radio personality, Rege Cordic, distributed commemorative bumper stickers which read "Official Entry, Cordic & Company Bridge Leap Contest." With thousands of vehicles bearing these stickers on Pittsburgh's streets, the city responded by blocking off the end of the bridge with concrete barriers.

Yeah, Dave. The sidings were 6’ and 7’, so too short to really be of much value other than parking some cars just for scenery. To be honest, I never actually checked their lengths after John added them, guess I should have, huh? 😱 And thanks for the compliment. I enjoy the challenge of seeing how things can fit and Mixy has given us a great software package to work with.

Yes, with the layout double tracked, John can run a train each way and not need the passing sidings.  My layout design was different because it is single tracked, so we put in the 5-foot long sidings.  That was all there really was room for, but I'll be running short trains in the small layout.  We could have made it double tracked, but that went against the concept for the layout.  With a concept for double track, this seems to work out, unless John is going to run 4 short trains which can be done anyway on a layout of this size.

Hello All, I am asking for your experience with using two bridges at different heights for entry to middle of layout. At the present I have a double track bridge that seems to be the answer, however combine that with a double crossover between the two main lines which also go over the bridge, this has caused either both lines to be at the same elevation. Or most of the lines are on a grade of some type. These grades also affect the towns and industries I would like to include in this build. It has me thinking I am wanting too much (yard, turntable, towns and industries)    Industries I am looking at are coal and recycle steel (as in junk yard with gantry crane). Small town or towns with some roads that cross tracks and have freight deliveries.

So again would having two different bridge heights help and would it be hard to incorporate into scenery?  Mark I know you are attempting this, what were the plus and minuses for you?

John, My two tracks that need bridges are 8" apart horizontally.  I think that is plenty to easily lift up each bridge, and for anything I need to get my hands between the bridges.  I'll see how that really works out once I try to do it.  I only have one of the bridges so far, an Atlas through truss bridge.  I don't know what I will use for the other.  Maybe just a board with plate girders on the sides to resemble a bridge.  I can't think of seeing anyone do it with bridges at different levels, but I'm sure we aren't the first. 

Good Morning All,

Doing some reading, watching videos and getting excellent feedback and instructions for everyone here, some additions and alterations were done hopefully for the better. Paying attention to grades, (highest I think is 2.7%) This is a new rendition which has area for a town, coal industry, passenger stations, bridges, roundhouse and turntable. I am not sure on keeping the number of yard tracks as is or reducing them to add in some structures.

ALL comments, CHANGES, are More Than Welcome!!! Please I can use lots of help and input!

Thanks

JohnJohn 2020-11-21a1_DazJohn 2020-11-21a1_Daz

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Ok, since you solicited comments ... (and I admit to not having read the whole nine pages, so please forgive if it's already been brought up)...

One thing that I have always regretted about the design of the layout at my parents' is that you cannot access the arrival / departure tracks in the yard, and the locomotive servicing tracks, without fouling the whole yard throat. In other words, you can't have one person switching the yard while another one moves a train in or out of it. It is surprising how many times I have wished I could do that. Your yard architecture is quite similar to ours, and you may end up with the same regret. The Ross 4-way switch, as useful as it is, is at fault, because it forces you to access the whole yard through that one wye.

Just a thought.

@DoubleDAZ posted:

John, I like the changes. I see there are some disconnects, but nothing that can’t be fixed during construction. The only problem might be the direction of the Bascule bridge. It’ll probably need to be reversed in order to fit without overhanging the edge or hitting the wall.

Hi Dave, If it weren’t for all your help it would still be going no where! How do you find disconnects so fast??!!

yes the bridge needs to be turned or redesigned lol

@nickaix posted:

Ok, since you solicited comments ... (and I admit to not having read the whole nine pages, so please forgive if it's already been brought up)...

One thing that I have always regretted about the design of the layout at my parents' is that you cannot access the arrival / departure tracks in the yard, and the locomotive servicing tracks, without fouling the whole yard throat. In other words, you can't have one person switching the yard while another one moves a train in or out of it. It is surprising how many times I have wished I could do that. Your yard architecture is quite similar to ours, and you may end up with the same regret. The Ross 4-way switch, as useful as it is, is at fault, because it forces you to access the whole yard through that one wye.

Just a thought.

These are needed comments, however since I do not have any experience with yard access any changes need to be drawn for me to visualize

i already have the Ross switch but can sell it if it creates a bottle neck

thanks for the input

@Mark Boyce posted:

John, Nice job with SCARM.  The plan looks great with the added sidings for various industries.  Again, I am not up on yards and engine facilities to critique that area, but I'm sure someone will come up with some suggestions.  All I can say is I'm glad you have room for that much car and engine storage!!!

Thanks Mark

sounds like you are in favor of keeping all the yard tracks

John, the disconnects show up as small gray arrows as soon as you turn off Heights. Sometimes they're not disconnects, they're differences in heights between the 2 tracks. One looks like a stray track in the yard. I've had cases where I've fixed the heights, but they show back up the next time I open the file.

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Here's a new version with the corrections.

John 2020-11-21b_Daz

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Nick, you're right, the requirement to use the 4-way switch drove the yard design.

Here are some alternate designs where I moved the bottom spur to the top, moved the 4-way lower and added a runaround. I left the 30° crossing in, but I see no practical use for it and I don't like the curved lead to the TT. Then I removed the crossing and 4-way.

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Thanks, Mark. I don’t have any experience with yard design, I just think the 2nd one without the 4-way looks smoother. I don’t think there’s anything wrong with the 1st. It’s tough to design a yard when there’s not enough room for a longer lead track off the mainline. I probably should have added another crossover on the bottom 2 tracks, so they could be worked without fouling the mainline. Trouble is I don’t know if John even wants to work the yard with a switcher to move cars around. Me? I’d just have consists stored for engines to pull out and they’d probably never be reconfigured. 🤪

@DoubleDAZ posted:

John, unless you have some practical ideas for buildings that would look right in a yard scene, I also support keeping as many storage tracks as you can. However, it’s your layout and only you know how you want to operate.

@DoubleDAZ posted:

Nick, you're right, the requirement to use the 4-way switch drove the yard design.

Here are some alternate designs where I moved the bottom spur to the top, moved the 4-way lower and added a runaround. I left the 30° crossing in, but I see no practical use for it and I don't like the curved lead to the TT. Then I removed the crossing and 4-way.

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Hi Dave,

Great job as usual!! First impression - I like the second drawing better. At this point I am not sure of running a switcher in the yard, however it appears this will facilitates that and if I want to store consist there then that can happen also, unless I am not understanding something.

I am not sure if the yard tracks can fit under the main lines, I don't have access to scare right now so I cannot check. If I remember the main lines are not elevated that high over the end of the yard. It doesn't look bad to shorten the yard tracks closest to the wall

Also no buildings are planned for yard area yet

Any thoughts?

IMG_20201122_054957673~2

EDIT: Well, I see you guys beat me to it! But here is another idea, for what it's worth:

Well, I don't use track planning software, but here's a sketch. This would be the top portion of your yard (nearest the aisle). The top two tracks handle trains arriving/departing (the train parks on one track, the other is a run-around). The rest of the tracks on the right side are regular yard tracks--I didn't bother drawing the majority of them. Both of the two diagonal tracks on the left meet the inner loop main line, preferably to the right of the double crossover. So the idea here is that while the switch crew is busy moving up and down the yard ladder (right-hand diagonal track which all the yard tracks come off of) an inbound or outbound train can still access the top of the yard by using the bypass track (I believe Armstrong calls it a thoroughfare track) on the left. And, the switch crew can easily access those top two tracks from the yard ladder.

This will, of course, shorten your yard, and your longest train will be dictated by how long you can make the designated arrival / departure track. However, it can potentially double the amount of fun your yard can produce at any given time, since you can have two people working in without one having to wait for the other to be done before doing their own task.

A problem with this design is that your yard does not have much of a lead. That means that a switch crew moving a long cut of cars could end up backing onto the main and getting in the way of the arriving/departing train after all. I don't see an easy fix for this, but it would not be too much of an inconvenience for people to simply remember to take fewer cars at a time and not back onto the main.

Another idea that comes to me just now is to expand the top section to three tracks. The third will be a little longer than the others and can be the A/D track. The top one would host cabooses. The middle would be a shared runaround for the other two. Since you only access the caboose immediately after a train arrives or immediately before one departs, this should work OK from the perspective of the switch crew staying out the way of the other train.

One last thing: at present, you have the yard ladder leading through one side of the Ross 4-way. This creates an awkward S-curve. It might be better to have a switch in the ladder (possibly a curved one, rather than a #4 or #5) and let the 4-way originate off the diverging leg of that switch. This, too will cost you some length, and might not be worth it after all, but since you can use the software, it costs little to experiment.

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Last edited by nickaix

Good morning, John.

FWIW, I only ran the yard tracks under the mainlines because you had several set as tunnels. A little more on that later.

Regardless of which configuration you ultimately choose, the biggest problem with the yard is the lack of a longer lead track. Now, there's nothing you can really do about that, but it does affect how you can use the yard. As it is now, a switcher can't even move 1 car from the bottom track (track 1) and clear the switch without temporarily fouling the inner mainline. That's why I placed the crossover between tracks 3-4. As the illustration shows, a train can pull in on track 3, the engine can then uncouple and move through the crossover to track 4 to escape. A switcher can then pull cars 1 at a time from track 3 using the same technique.

As you can also see, track 3 only has space for a train with 8 cars. However, if you raise the bridge to 7", the grades go from 1.9/2.3% to 2.0/2.4% and give you an extra .5" of clearance under the mainline tracks. Then another crossover could be added between tracks 1-2 and you'd have 2 arrival tracks, one slightly longer. However, that moves track 8 and even though I didn't remove it, it might better to do so because it's close to the edge.

Now, raising the bridge would mean the inner mainline track on the other side of the bridge would go to 3.1%, but that could be fixed with a reconfiguration of the switch and buildings.

The bottom line is you can use the yard 2 ways. If you use it for storing complete consists and not for switching, then arriving trains would simply back into their respective slots and you could save the cost of 4 switches for the crossovers. However, if you keep the crossovers and use it for switching, then arriving trains would pull in on tracks 1 or 3 for a switcher to reconfigure consists. Basically you could use it both ways, storing consists when it's just you and for switching when the mood strikes or when you have someone visit who enjoys switching. When switching, tracks 1-2 and/or 3-4 would need to be emptied for arriving trains or configured with departing trains.

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@DoubleDAZ posted:

John, the disconnects show up as small gray arrows as soon as you turn off Heights. Sometimes they're not disconnects, they're differences in heights between the 2 tracks. One looks like a stray track in the yard. I've had cases where I've fixed the heights, but they show back up the next time I open the file.

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Here's a new version with the corrections.

John 2020-11-21b_Daz

Dave, This probably won't fit but I keep looking at this thinking if the yard had a run through it would be really useful. Just for fun if the short green spur west of the 2 bridges went across with a third bridge and connected with the outer track that feeds the switch ladder. I don't use scarm so I have no idea if you could get enough of a curve for this to work.

@DoubleDAZ posted:

Hey, Dave. It'll fit with O-72 curves and a 2.8% grade, but will need a custom bridge on an slope. The spur west of the double bridge is 4.1" high to the switch. It'll work a bit better with O-54 curves and 2.4% grade.

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That would have been cool if the bridge could be straight. Thanks for humoring me. The whole layout is loaded with potential and your ability to work through different issues is remarkable.

@Aegis21 posted:

Hi Dave,

Great job as usual!! First impression - I like the second drawing better. At this point I am not sure of running a switcher in the yard, however it appears this will facilitates that and if I want to store consist there then that can happen also, unless I am not understanding something.

I am not sure if the yard tracks can fit under the main lines, I don't have access to scare right now so I cannot check. If I remember the main lines are not elevated that high over the end of the yard. It doesn't look bad to shorten the yard tracks closest to the wall

Also no buildings are planned for yard area yet

Any thoughts?

John, I agree on the second design.  As you say, the yard tracks closer to the aisle could be a little longer maybe allowing one more car.  I don't think increasing the grade on the two mainline tracks enough to let the tracks extend underneath would gain you a whole lot more.

However, if you worked on building the mainlines along the wall behind the yard first, you could mock up different grades just to the end of the table where the lift up bridges are by just putting different heights of blocks of wood or even boxes or cans under track and see if the increased grade is acceptable.  Also by just laying in a couple yard tracks temporarily, you could see if it is worth it.  My open trestle grade, short yard, the engine facility above, and the last industrial siding were done in this way.  Dave had figured the grade that I later decided to use the trestle, I just played with it to see if I could make the grade less.  Actually both grades were adjusted on the fly when I discovered I needed a little more clearance for the underpass.  On the engine house wye, it was totally trial and error after I pulled the plug on buying the used engine house, then Dave helped me refine the design for the wye to the engine house in scarm.

I think building this way doesn't make you commit to either scenario until you actually try it out.  Then you can build the rest of the way around the room to match things up at the lift up bridges.

Last edited by Mark Boyce

Ok, John, here's a clean version with the yard ending before the mainlines pass overhead. I reconfigured the runaround track because I didn't like the curved entry to the TT. I moved the single crossover to tracks 1-2 because track 1 has the most space for an arriving train to pull in and let the engine escape. You can still back trains into any of the slots if you don't want to switch. I smoothed the exits off the bridge going north. I rotated the Bascule bridge.

John 2020-11-22 daz

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I was working on a way to add a full length yard lead from the river bridge switch on the left when I noticed the TT&RH are not correct. The RH is actually a 3-stall model with a 26” TT, but at some point it was turned into a 4-stall with a 28” TT and I never noticed. My laptop is installing an update, so I haven’t been able to check the footprint, but I’m pretty sure it’s incorrect. I think the only 4-stall file I have is for an Altoona RH, so I’m going to have to play around with things a bit. FWIW, if the RH/TT can be shifted up a bit, it looks like a lead track can come off the bridge switch and avoid a switcher fouling the main.

Ok, here's what I've come up with as another alternative to explore. As you can see, I added a longer lead track into the yard. It's on a 0.6% grade. I then redid the RH/TT configuration and think I've got the RH placed right on the 28" TT.

NOTE 1: You can't just add another whisker track inside the RH simply because it will fit. The engine has to be able to get through the doors, etc. If you want a 4th stall, you need to add 1/3rd of the RH to one side or the other, not just add inside tracks.

NOTE 2: Since the TT is only 28", it doesn't make sense to buy/build an RH with more than 1 stall capable of holding longer engines. I would need to be at the end of a track that runs straight across the TT into the RH.

John 2020-11-23 daz

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Last edited by DoubleDAZ

Wow I should have computer / internet problems more often! Gone for a bit and everyone dug it and did an amazing job! Thank you nickaix, Dave Ripp, Mark, and especially DoubleDaz Dave!!! Outstanding suggestions and remarkable results!

Now that a RH & TT are not only feasible, but actually on the layout. Is it possible to have either a four stall RH or a larger TT or Both? And would it mean sacrificing any of the great ideas and suggestions so far? I truly love all that has been done while I was in internet never never land. Dave you have taken my errors and adapted/solved the problems they caused. You all are incredible!

Please anyone/everyone let me know your thoughts on the last iteration of the yard as far as storage and switching operations are concerned. ALL comments are an educational process for me.

Once the yard is "finalized" by all your comments and help, the next list to go down is the lists of wants:

Here is a list of wants in no particular order of importance...

Junkyard area with gantry crane and loading/unloading area    

Icing station with loading/unloading track

Coaling/Mining Area with coal elevator

Freight loading/unloading area near town or in town

Town with streets,

Last three I have preliminary areas on layout, however as this is my first big layout, all ideas are not only welcome but needed!

Again Thanks to all !!!

@DoubleDAZ posted:

Ok, here's what I've come up with as another alternative to explore. As you can see, I added a longer lead track into the yard. It's on a 0.6% grade. I then redid the RH/TT configuration and think I've got the RH placed right on the 28" TT.

NOTE 1: You can't just add another whisker track inside the RH simply because it will fit. The engine has to be able to get through the doors, etc. If you want a 4th stall, you need to add 1/3rd of the RH to one side or the other, not just add inside tracks.

NOTE 2: Since the TT is only 28", it doesn't make sense to buy/build an RH with more than 1 stall capable of holding longer engines. I would need to be at the end of a track that runs straight across the TT into the RH.

John 2020-11-23 daz

Dave all your work is not only magical, but so appreciated and welcome. Simply awed at your scarm mastery and problem solving ability. It appears that the baseboard for the layout is getting to its final stage. I'll be doing mostly L-girder workbench, however the yard is flat and seems L-Girder would be less desired for that entire section. Dave, or anyone else please comment on benchwork style and which would be best for which sections. Also, should I consider making the TT removable for access and any needed repairs?

Again Thanks Dave!

John, I have used both open grid and L-girder, and I don’t really have a preference.  One thing, L-girder takes more height, and since I must use under the layout storage, I am getting a little more height for storage and it is easier for wiring.  Since I bought Mianne for part of the layout, it is open grid.  The rest is cantilevered with brackets off the wall.  So to stabilize the ends, it is in effect open grid using the wall for part of the grid.  This is the largest layout I have ever built, and the first around the walls.  My L-girder layouts were so small, and I don’t think I made use of the benefit of that construction.  I guess in the end, I favor open grid.  Let’s see what some others who have experience with larger layouts have to say.

I would think you would want to make the turntable easy to remove for maintenance.  I have never had room for one even in smaller scales

Last edited by Mark Boyce

John, there's no reason not to use L-girder throughout. I think you're confusing framing (L-girder) with decking (open cookie-cutter and flat panel). Since you have a lot of different elevations, you'd use cookie-cutter decking with risers under the tracks in those areas and then flat panel decking under the yard. When it comes to the town areas, you might use a combination of flat panel decking with risers on top of the decking for the elevated sections.

And Mark is absolutely correct, L-girder adds to the depth of the framing below the decking and can limit movement, storage and access underneath.

When it comes to the RH/TT, the width and length of the RH are determined by how far it is from the TT and that is determined by the angle of the stalls. Atlas stalls are set wider allowing them to be closer to the TT whereas Altoona's are set narrower meaning they have to be further from the TT in order for engines to clear the doors. As you can see in the 1st photo, the Atlas 3-stall fills a space approximately 40x40" measured from the edge of the TT. The space needed for 4 stalls grows to 40x50" or so while Altoona makes a 4-stall RH that is narrower, but longer at 30x63" as measured from the center of the TT. Shown are Millhouse 28" and 34" TTs.

The 2nd photo shows were I added the 34" TT and cut 1/3rd of the RH to make another stall to show what that does to the space needed. As you can see, the bench work needs to be that much deeper and narrows the aisle some.

In the 3rd photo I kept the 34" TT and replaced the Atlas RH with an Altoona RH to show the difference. You can see the reduced depth and wider aisle. You can also see the outline of the 33x63" footprint. In this case, the RH has 2 extended stalls for larger engines. Main whiskers are 32" inside and extended are 35". I don't know about the Atlas model, they just say distance from TT to rear wall accepts 37.25" of track and some of that is outside

I haven't optimized placement. I've never seen a TT prior to being installed, so I don't know how much clearance they need for installation and support. Based on drawings I've seen, it looks like they have 4 tabs for mounting to the underside of the decking and I think the TT just fits a 34" hole, so the hole needs to be placed so a passing train on the mainline will clear a large engine as it turns.

test2John 2020-11-24 dazJohn 2020-11-24a daz

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Whatever you do, John; Don't use the L-girder or open frame stringer for a soldering iron hanger.  I was soldering under the L-girder layout over 30 years ago and was looping the soldering iron cord over a joist when not in use.  I forgot about it and jammed my wrist up against it, sizzling a hole in my wrist.    My wife the registered nurse looked at it and was impressed that I cotterized it in the process.  We both had to laugh as the flux was a bit of an issue cleaning out.  It went right between two tendons.  I still carry the white scar.

@DoubleDAZ posted:

John, there's no reason not to use L-girder throughout. I think you're confusing framing (L-girder) with decking (open cookie-cutter and flat panel). Since you have a lot of different elevations, you'd use cookie-cutter decking with risers under the tracks in those areas and then flat panel decking under the yard. When it comes to the town areas, you might use a combination of flat panel decking with risers on top of the decking for the elevated sections.

And Mark is absolutely correct, L-girder adds to the depth of the framing below the decking and can limit movement, storage and access underneath.

When it comes to the RH/TT, the width and length of the RH are determined by how far it is from the TT and that is determined by the angle of the stalls. Atlas stalls are set wider allowing them to be closer to the TT whereas Altoona's are set narrower meaning they have to be further from the TT in order for engines to clear the doors. As you can see in the 1st photo, the Atlas 3-stall fills a space approximately 40x40" measured from the edge of the TT. The space needed for 4 stalls grows to 40x50" or so while Altoona makes a 4-stall RH that is narrower, but longer at 30x63" as measured from the center of the TT. Shown are Millhouse 28" and 34" TTs.

The 2nd photo shows were I added the 34" TT and cut 1/3rd of the RH to make another stall to show what that does to the space needed. As you can see, the bench work needs to be that much deeper and narrows the aisle some.

In the 3rd photo I kept the 34" TT and replaced the Atlas RH with an Altoona RH to show the difference. You can see the reduced depth and wider aisle. You can also see the outline of the 33x63" footprint. In this case, the RH has 2 extended stalls for larger engines. Main whiskers are 32" inside and extended are 35". I don't know about the Atlas model, they just say distance from TT to rear wall accepts 37.25" of track and some of that is outside

I haven't optimized placement. I've never seen a TT prior to being installed, so I don't know how much clearance they need for installation and support. Based on drawings I've seen, it looks like they have 4 tabs for mounting to the underside of the decking and I think the TT just fits a 34" hole, so the hole needs to be placed so a passing train on the mainline will clear a large engine as it turns.

test2John 2020-11-24 dazJohn 2020-11-24a daz

Thanks for clearing up the bench work support versus decking/cookie cutter designs. As for the TT RH it looks like keeping the aisle clear and access to the corner the third pic looks best. I was wondering if the Brennen RH would fit. Don't know if budget can handle millhouse/Brennen TT/RH but if it wouldn't fit then that throws that out that idea. Also I do not anticipate buying a Big Boy Loco, with that said, what is the most used TT?

Actually, John, I’d never heard of Brennen, so had to look it up. Turns out they have a good explanation of roundhouse configurations, especially the part about track spacing along the turntable. They also explain the relationship between distances from the TT and how they affect track alignment inside the RH. Altoona documentation explains this too and includes illustrations. However, Altoona just shows the track misalignment whereas Brennen kind of explains how to curve into the RH so the inside track is aligned. I didn’t study that yet. Unlike the other brands, Brennen provides the dimensions of their stall making it easier to create one in SCARM. I haven’t worked out their explanation of angles and I don’t have time tonight to play with things to see how one would fit, so I’ll try tomorrow.

https://brennansmodelrr.com/blog/roundhouse-kit

Hi Dave,  It looked like Brennan RH and millstone studio TT mate very well together, they are definitely pricey. Not sure if they are worth the costs. They seem to be extremely well built and are the high end of their product lines.  Hoping to get feedback from forum if someone has used these on their layout.

Thanks again and again for all your help and knowledge.

John

Last edited by Aegis21

John, I'm not sure Brennan mates to Millhouse all that well, but here are what the extremes would look like if I understood the documentation correctly. And that's a big IF at this point. The biggest problem I have with their description is they say a 3-stall RH measures 18 x 31.75 x 26.25 and we all know RHs don't have straight fronts or backs, hence the name ROUND house, so I assume the measurements are from the outside corners of both the front and back straight across. It also says the min and max distances from the TT is measured from the center of the TT to the center of the front door. The bottom line is I can't vouch for the accuracy of what the photos show.

The first photo shows what I believe their chart shows. The top configuration is the optimum distance for the RH from the TT. This allows the whisker tracks to be straight. The bottom configuration is the minimum distance and note how the leads have to curve in order for the tracks inside to be straight. The amount of the curve changes depending on how far the RH gets from the TT. Also note how close the tracks are on at TT in the top configuration. They explain that you have to trim the front ties so the rails will meet those on the TT.

Anyway, the second photo show the min configuration on the layout and the third photo shows the max. As you can see in the third, the footprint seems rather large and I don't know how advisable it is to curve the whiskers. If you do, you have to make sure engines clear the doors as they enter and exit.

One other note is that whiskers can be curved for other RHs too, so this is not unique to Brennan.

Brennan RHJohn 2020-11-25 dazJohn 2020-11-25a daz

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One of the posts above requested installation photos.  F.W.I.W., I have five TTs all with flat deck installations.  Two are Millhouse One Bowser and two custom units.

They are mounted on flat deck platform modules specifically framed out for a TT.

benchwork II - Copy

The above TT preps are typical of how I get ready to install Millhouse.

IMG_8288

The above inverted TT module is going to  be added to another module round end for turning locos only.  The next photo is of this module with TT in place.

IMG_9097

IMG_8026

The above TT inverted module is a prep for a drop in of a 32" flanged TT pit in lower photo.  The 32" TT serves the dead end of two branch lines coming from opposite directions.

IMG_8156

The 26" small TT in the corner is for turning small power coming in from the other room on a higher level.  It has similar construction of the add on module photo above.

This is a staging room off scene.

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Images (5)
  • benchwork II - Copy
  • IMG_8288
  • IMG_8026
  • IMG_8156
  • IMG_9097

John 2020-11-25a daz

Tom, Great photos and I can only add to Dave and Mark's comments to say you have a ton of good experience which is invaluable! This is a tremendous help. I was just starting to layout L-girder framing to see how it blends or works with track layout. Perfect timing! Here is what I have done so far as I understand L-Girder, which is assuming a lot!  Please any and all comments are GREATLY appreciated! Everyyone have a wonderful and safe Thanksgiving. Even in these horrid times of pandemic and division, we all have lots to be thankful for today.

Thanks to everyone on this forum and may God Bless everyone.

Sincerely John

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  • John 2020-11-25a daz
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Last edited by Aegis21

John, Yes you have the concept of the L-girder method.  You have done a great job drawing it in on SCARM!!    Having never built a layout nearly that large, I can't comment on your leg spacing or the long reach between two L-girder pairs in the upper left.  Also, I think you would need to do a variation under the turntable site to accommodate Tom Tee's framing method.  I would think Tom will chime in on that.

@Mark Boyce posted:

John, Yes you have the concept of the L-girder method.  You have done a great job drawing it in on SCARM!!    Having never built a layout nearly that large, I can't comment on your leg spacing or the long reach between two L-girder pairs in the upper left.  Also, I think you would need to do a variation under the turntable site to accommodate Tom Tee's framing method.  I would think Tom will chime in on that.

Mark, totally agree on needing to change around TT and recheck spacing. This is a first draft so to speak and a starting point.  I have started another topic only dealing with benchwork. not sure if that was a good idea to split things up or not... As for drawing it on scarm, well the track is on the floor and the supports are in the air! LOL

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